As the cylinder revolves, the recorder is shifted continuously along by a leading screw having one hundred or more threads to the inch cut on it, so that it traces a continuous helical groove from one end of the wax cylinder to the other. This groove is really a series of very minute indentations, not exceeding 1⁄1000th of an inch in depth.[33] Seen under a microscope, the surface of the record is a succession of hills and valleys, some much larger than others (Fig. 151, a). A loud sound causes the stylus to give a vigorous dig, while low sounds scarcely move it at all. The wonderful thing about this sound-recording is, that not only are the fundamental tones of musical notes impressed, but also the harmonics, which enable us to decide at once whether the record is one of a cornet, violin, or banjo performance. Furthermore, if several instruments are playing simultaneously near the recorder's horn, the stylus catches all the different shades of tone of every note of a chord. There are, so to speak, minor hills and valleys cut in the slopes of the main hills and valleys.
Fig. 149.—Section of the reproducer of an Edison Bell phonograph.
Fig. 150.—Perspective view of a phonograph reproducer.
The reproducer (Fig. 149) is somewhat more complicated than the recorder. As before, we have a circular box communicating with the horn of the instrument. A thin glass disc forms a bottom to the box. It is held in position between rubber rings, R R, by a screw collar, C. To the centre is attached a little eye, from which hangs a link, L. Pivoted at P from one edge of the box is a floating weight, having a circular opening immediately under the eye. The link passes through this to the left end of a tiny lever, which rocks on a pivot projecting from the weight. To the right end of the lever is affixed a sapphire bar, or stylus, with a ball end of a diameter equal to that of the cutting point of the recorder. The floating weight presses the stylus against the record, and also keeps the link between the rocking lever of the glass diaphragm in a state of tension. Every blow given to the stylus is therefore transmitted by the link to the diaphragm, which vibrates and sends an air-impulse into the horn. As the impulses are given at the same rate as those which agitated the diaphragm of the recorder, the sounds which they represent are accurately reproduced, even to the harmonics of a musical note.
THE GRAMOPHONE.
This effects the same purpose as the phonograph, but in a somewhat different manner. The phonograph recorder digs vertically downwards into the surface of the record, whereas the stylus of the gramophone wags from side to side and describes a snaky course (Fig. 151b). It makes no difference in talking-machines whether the reproducing stylus be moved sideways or vertically by the record, provided that motion is imparted by it to the diaphragm.