MOR′DANT. In dyeing and calico printing,

any substance employed to fix the colouring matter of dye-stuffs in the fibres of organic bodies, and to give it brilliancy and permanency. This it effects either by serving as a bond of union between the two, owing to its attraction for each of them; or it acts by uniting with the colouring particles in the minute pores of the fibres, and rendered them insoluble in the alkaline, soapy, and other liquids, to the action of which they will subsequently be exposed. When an infusion of some dye-stuff, as cochineal or madder, for example, is mixed with alum or acetate of alumina, and a little alkali, a precipitate immediately forms, consisting of alumina in combination with colouring matter, constituting a LAKE. It is by a similar reaction occurring within the fibres that the permanent dyeing of the cloth is effected. Here the colouring matter of the dyeing materials not only passes from the soluble to the insoluble form, but it enters into chemical combination with other substances, and in the new compounds it assumes greater brilliancy and permanency than it previously possessed. Annotta and safflower afford instances of the second mode of action above referred to, by which substances operate as mordants. The colouring matter of these dye-stuffs is soluble in alkaline lyes, and into a solution of this kind the cloth is dipped. It has now received an extremely fugitive colour only; but by passing it through acidulated water the alkaline solvent is abstracted, and the tinctorial matter is precipitated in an insoluble and minutely divided state within its pores, and it becomes permanently dyed. A similar reaction takes place in dyeing with the ‘indigo vat,’ in which atmospheric oxygen performs the part of a mordant. It is believed that even in these cases the colouring principle, during its transition from the liquid to the solid form, enters into combination with the fibres of the organic substance, and that, in proportion to the affinity existing between the two, is the integrity and excellence of the dye. In wool and silk the affinity between their filaments and the tinctorial particles of the dye-bath is, in general, so considerable, that a permanent stain is very easily communicated to them; but with cotton and flax, the materials of which calico and linen goods are made, the reverse is the case, and the intervention of a third material, in the shape of a mordant, is absolutely necessary to dye them of a permanent colour.

“Experience has proved that, of all the bases, those which succeed best as mordants are alumina, tin, and oxide of iron; the first two of which, being naturally white, are the only ones which can be employed for preserving to the colour its original tint, at least without much variation. But whenever the mordant itself is coloured, it will cause the dye to take a compound colour quite different from its own. If, as is usually said, the mordant enters into a real chemical union with the stuff

to be dyed, the application of the mordant should obviously be made in such circumstances as are known to be most favorable to the combination taking place; and this is the principle of every day’s practice in the dye-house.

“In order that a combination may result between two bodies, they must not only be in contact, but they must be reduced to their ultimate molecules. The mordants to be united with stuffs are, as we have seen, insoluble in themselves, for which reason their particles must be divided by solution in an appropriate vehicle. Now, this solvent or menstruum will exert in its own favour an affinity for the mordant, which will prove to that extent an obstacle to its attraction for the stuff. Hence we must select such solvents as have a weaker affinity for the mordants than the mordants have for the stuffs. Of all acids which can be employed to dissolve alumina, for example, vinegar (acetic acid) is the one which will retain it with the least energy, for which reason the acetate of alumina is now generally substituted for alum, because the acetic acid gives up the alumina with such readiness that mere elevation of temperature is sufficient to effect the separation of these two substances. Before the substitution of the acetate, alum alone was employed; but without knowing the true reason, all the French dyers preferred the alum of Rome, simply regarding it to be the purest; it is only within these few years that they have understood the real grounds of this preference.

“The two principal conditions, namely, extreme tenuity of particles and liberty of action, being found in a mordant, its operation is certain. But as the combination to be effected is merely the result of the play of affinity between the solvent and the stuff to be dyed, a sort of partition must take place, proportioned to the mass of the solvent, as well as to its attractive force. Hence the stuff will retain more of the mordant when its solution is more concentrated, that is, when the base diffused through it is not so much protected by a large mass of menstruum; a fact applied to very valuable uses by the practical man. On impregnating, in calico printing, for example, different spots of the same web with the same mordant in different degrees of concentration, there is obtained in the dye-bath a depth of colour upon these spots intense in proportion to the strength of their various mordants. Thus, with solution of acetate of alumina in different grades of density, and with madder, every shade can be produced from the fullest red to the lightest pink, and with acetate of iron and madder, every shade from black to pale violet.” (Ure.)

In the employment of mordants in the ordinary processes of dyeing the goods are passed through the solution for a period varying, under different circumstances, according to the object in view. The cloth is subsequently

aired, dried, and well rinsed, before immersing it in the colouring bath. In calico printing the mordant is applied partially or topically to the cloth by means of wooden blocks, or some similar contrivance; or certain parts of the cloth are stopped out by a suitable preparation, or ‘resist,’ by which means a pattern is produced, as the colouring matter of the dye-bath is removed from the other portions by the washing or scouring to which it is subsequently subjected. The substances used to thicken the mordant by the calico printers, to prevent them spreading, are starch and British gum. The first is prepared for neutral solutions; the last for acidulous ones. The removal of the undecomposed particles of the mordant, so as to preserve the other portion of the cloth from their action, is effected by the process of DUNGING (which see).

The process of GALLING or ROOTING, commonly employed as a preparation of cotton and linen for fast dyes, consists in working the stuff for some time, at a good hand heat, in a decoction of galls or an infusion of sumach. In this case the astringent matter plays the part of a mordant. About 212 oz. of galls, or 5 oz. of sumach, and 3 or 4 pints of water, are commonly taken for every lb. of cotton. See Calico printing, Dyeing, and the respective dye-stuffs and mordants.

Mordant. In gilding, any sticky matter by which gold-leaf is made to adhere. Prep. 1. Water or beer, rendered adhesive by the addition of a little gum, sugar, or honey, and tinged with a little gamboge or carmine, to mark the parts to which it is applied. Used to attach gold leaf to paper, taffety, vellum, &c.