[83] Plutarch, Alex. 72; Fort. Alex. 128 D; Crassus, 33. Marshall (JRAS. 1909, pp. 1060 f.) suggests a reproduction of a motif of the Antigone in a vase at Peshawar, but dubiously. [↑]
[87] Cf. Hultzsch, JRAS. 1904, pp. 399 ff. on the Kanarese words found in a fragment of a Greek comedy preserved in a papyrus of the second century A.D. [↑]
[88] This does not appear in the dramas of Menander so far as recovered, and is of uncertain date. Cf. Donatus on Terence, Andria, Prol. [↑]
[89] Konow, ID. p. 5, n. 5; Lévi, TI. i. 348; for the generic sense, cf. Amara, ii. 6. 3. 22; Halāyudha, ii. 154. [↑]
[90] Already in Bhāsa: cf. Lindenau, BS. p. 41, n. 2; Lévi, Quid de Graecis, &c. [[62]](1890), pp. 41 f.; on Greek influence, cf. Kennedy, JRAS. 1912, pp. 993 ff., 1012 ff.; 1913, pp. 121 ff.; W. E. Clark, Classical Philology, xiv. 311 ff.; xv. 10 f., 18 f.; Weber, SBAW. 1890, pp. 900 ff. [↑]
[91] Kauṭilīya Arthaçāstra, i. 21; Megasthenes, frag. 26; Strabo, xv. 1. 55. [↑]
[92] For this motif cf. Gawroński, Les Sources de quelques drames indiens, pp. 39 ff. On recognition in the Greek tragic drama see Aristotle, Poetics, 1452 a 29 ff.; Verrall, Choephorae, pp. xxxiii–lxx. Its alleged essential character as an element of primitive tragedy, the recognition of the god, is disposed of by Ridgeway, Dramas, &c., pp. 40 f. [↑]