Pathos, in Mṛcchakaṭikā, [136];
in Kālidāsa, [159], [161];
in Bhavabhūti, [193], [195];
as a sentiment, [319], [323], [324], [325], [348];
metre and style appropriate to, [331], [332].
Patience, as an allegorical character, [252].
Pause (vimarça), the fourth juncture of the drama, [299].
Persians, alleged to have knowledge of Greek tragedy, [59].
Phallic dances, as sources of drama, [16].
Phallic orgies, [41].
Philostratos, life of Apollonios of Tyana, [59].
Physicians, where placed in the auditorium, [370].
Picture, as dramatic motive, see Portrait.