Practice of drama, influenced by theory, [352]–4.
Pradyota Mahāsena, [102], [130].
Prahasta, ally of Rāvaṇa, [246].
Prahlādanadeva, author of the Pārthaparākrama, [83], n. [1], [247], [264], [265], [341], n. [1].
Prākrits, [40], [46], [50], [58], [243], [273], [275], [287], [301], [302], [311], [333], [336]–8;
evidence of, as to origin of drama, [72]–5;
of Açvaghoṣa, [86]–9;
Bhāsa, [121], [122];
Mṛcchakaṭikā, [140]–2;
Kālidāsa, [161], [166];
Harṣa, [181];
Mahendravikramavarman, [185];
Bhavabhūti, [203];
Viçākhadatta, [211], [212];
Bhaṭṭa Nārāyaṇa, [219];
Rājaçekhara, [236];
Kṣemīçvara, [240];
Yaçaḥpāla, [256].
Prākrit drama. [65], [66], [69]–72, [236], [257];
translation of Prākrit passages into Sanskrit, [337].
Prākrit Kāvya, later than Sanskrit Kāvya, [71], [77].
Prākrit stanzas, [253].