Nāṭyaçāstra, [12], [36], [42], [51], [65], [69], [75], n. [1], [81], [84], [95], [110], [141], [244], [267], [289]–92, [293], [294], [295], [304], [312], [315], [320], [323], [324], [326], [328], [330], [331], [334], [335], [336], [340], [341], [343], [347], [348], [349], [352], [355], [358], [362], [364], [367], [369].
Nāṭyācārya, professor, [360].
Nāṭyālaṁkāra, dramatic ornaments, [329], [330].
Nāndī, benediction at beginning of play, [85], [111], [126], [182], [204], [239], [265], [266], [267], [339], [342], [343], [369];
pronounced behind the scenes in the Bhāṇa, the Vyāyoga, [344];
the Pren̄khaṇa or Prekṣaṇa, [351].
Nāyaka, hero, [84], [85], [305]–7.
Nāyikā, heroine, [308]–10.
Nālikā, enigma, [329].
Nikkhanta, in Açvaghoṣa, [89].
Nidarçanā, a figure, [125].
Niyatāpti, fourth stage of development in drama, [297].