XI
SISTER JULIE
This is the story of Sister Julie. The Germans entered her village of Gerbéviller, where she was head of the poor-house and hospital. As they came southward through the place they burned every house on every street, 475 houses. In a day they wiped out seven centuries of humble village history. In her little street they burned Numbers 2, 4, 6, 8, 10, and 12, but they did not burn Number 14, the house where Sister Julie lived. There they stopped, for she stopped them. And the twenty houses beyond her hospital still stand, because that August day there was a great woman in that little village. They killed men, women and children throughout the village, but they did not kill the thirteen French wounded soldiers whom she was nursing, nor the five Roman Catholic sisters whom she directed as Mother Superior. Outside of a half dozen generals, she is perhaps the most famous character whom the war has revealed, and one of the greatest personages whom France has produced: even France in her long history. The last days of Gerbéviller live in her story. I write her account word for word as she gives it. Her recital is touched with humor in spite of the horror that lay heaped around her. She raises the poignard of the German Colonel: you see it held over her head ready to strike. By pantomime she creates the old paralytic men, the hobbling women, the man who went "fou."
The first woman of France: the peasant Sister Julie, wearing the ribbon of the Legion of Honor. She held up the German Army and saved the wounded French in her hospital.
Because she remained through the days of fire and blood, and succored his troops, General Castelnau cited her in an Order of the Day. The Legion of Honor has placed its scarlet ribbon on the black of her religious dress. The great of France—the President and the Premier, senators and poets—have come to see her where she still lives on in the ruins of the little village.
Amélie Rigard, whose religious name is Sister Julie, is a peasant woman, sixty-two years old, belonging to the Order of Saint Charles of Nancy. She is of the solid peasant type, with square chin and wide brown eyes. Everything about her is compact, deep-centered, close-growing; the fingers are stubby, the arms held closely to the body, and when the gesture comes it is a strong pushing out from the frame, as if pushing away a weight. Whenever she puts out power, she seems to be delivering a straight blow with the full weight of the body. With Sister Julie it is not only a genius of simple goodness. She carries a native shrewdness, with a salient tang. She knows life. This is no meek person, easily deceived by people, thinking every one good and harmless. She reads motives. Power is what I feel in her—direct, sheer power. The wonder is not that she rose to one of the supreme crises of history, and did a work which has passed into the consciousness of France. The wonder is that she remained hidden in a country village for sixty-two years. Her gift of language, her strength of nature, had vitality enough to burn through obscurity. The person she made me think of was that great man whom I once knew, Dwight Moody. Here was the same breadth of beam, the simplicity, the knowledge of human nature, the same native instinct for the fitting word that comes from being fed on the greatest literature in the world, and from using the speech of powerful, uneducated persons. When she entered the room, the room was filled. When she left, there was a vacancy.