The Vicar received a notable letter from the late Lord Salisbury, the Premier; they had been at Eton and Christ Church together, and Lord Salisbury was godfather to the Vicar's eldest son. The Vicar had written of the fortune he had inherited, and spoke of some rooks as having brought the luck by building, for the first time, in an elm-tree in the vicarage grounds. Lord Salisbury, in sending a donation of £25 to the restoration fund, added: "I see a great many rooks building near my house" (Hatfield), "but the luck has not come to me yet." The Vicar's comment to me was: "If the luck has not yet come to Lord Salisbury, I don't see how anyone can hope for it!"

The Malvern concert was a strenuous undertaking; Badsey being a long way from Malvern, it was necessary to interest the inhabitants and to some extent to plead in forma pauperis, for we were really a poor parish without any large resident landowners. The first thing was to get a good list of influential local patrons; and as soon as Lady Emily Foley consented, the promoters felt that the work was half done. Lady Emily Foley was supreme at Malvern, a very distinguished old lady and most popular, but perhaps a little alarming.

On the day of the two concerts I was detailed with a troop of young men, relatives of the patrons, to conduct the people to their seats, and an elaborate plan of the large Assembly Room was given me, with minute particulars of the lettered rows and numbered seats, presenting the appearance, somewhat, of a labyrinth. I was studying it at the doors, and arranging with the young stewards as to their individual functions, when I heard an alarmed exclamation from one of them: "Look out! here comes Lady Emily Foley!" In an instant the whole crowd took to their heels and disappeared down the corridor. With some little difficulty I succeeded in finding the seats of Lady Emily Foley's party, but I could see that she regarded me as a rather feeble cicerone.

She was, however, exceedingly gracious after my wife's first solo, which pleased her so much that we had to make an exception in this case, and allow an encore by her special request, though it had been arranged, owing to the length of the programme, that no encores were to be given. Lady Alwyne Compton, wife of the Dean of Worcester, very kindly assisted as a performer, my wife having frequently sung at charity concerts and entertainments for her in Worcester and the neighbourhood, among them a recital by Mr. Brandram of A Midsummer-Night's Dream, when she undertook the soprano solos occurring in the play, at the Worcester Guildhall. Lady Alwyne Compton was very musical, and rehearsals were held in the stone-vaulted crypt beneath the Deanery, a place of splendid acoustic properties, which intensified the sound without coarsening it, and brought the voice back to the singer in a way unknown on the usual platform, decorated with screens, curtains, and flags, and obstructed by floral impedimenta.

Among the performers at the Malvern concerts some professionals had been engaged from London, including Miss Margaret Wild, a well-known pianist. I had given my men a holiday for the occasion and was anxious to hear their opinion of the performances. They considered the music rather too high class for them, but they thoroughly appreciated the nimble fingers of Miss Margaret Wild; one of them adding enthusiastically: "My word, her did make 'im (the piano) rottle!" Our old parish clerk too, at the time over eighty years of age, who walked three miles to Evesham Station in the morning, ascended the Worcestershire Beacon—nearly 1,500 feet—and finally walked back from Evesham to Badsey at night, was much struck by the recitations of Miss Isabel Bateman at the concert. The dear old man was somewhat deaf, and told me that, sitting towards the back of the room, "I couldn't hear nothing, but I could see as the gesters [gestures] was all right."

This old clerk was prominently devout in the church responses, and had some original pronunciations of unusual words; in the Nicene Creed he generally followed a few bars, so to speak, behind the Vicar, but one never failed to catch the words "apost'lick church" towards the end. He was very scornful of ghosts, and told me that he had been about the churchyard very often at night for fifty years without seeing anything like an apparition. But the whole village was alarmed, including the clerk, one Sunday when, about midnight, the tenor bell was heard solemnly tolling. The clerk, with some supporters and a lantern, unlocked the door, and found the village idiot—silly C.—in the tower ringing the bell. It appeared that, after service, the clerk had extinguished the lights and locked up for the night about eight o'clock. C., who had gone to sleep in the gallery with his head upon his arms before him on the desk, slumbered on until he woke in alarm some four hours later, to find himself alone and the church in total darkness, but he was intelligent enough to remember the bell and get his release.

C. had a hand-to-hand fight in the church tower with Aldington's special imbecile. After service the clerk invited me to the scene of the battle, pointing out some crimson traces on the stone pavement. I called upon our imbecile's parents on my way home, and the old father was greatly shocked. "Here he be, sir," he said; "I hope you'll give him a jolly good hiding." I told him I could hardly undertake the rôle of executioner on a Sunday, in cold blood, and contented myself with a severe reprimand.

I was handing the collecting-bag one morning after service, and finding it did not return from the end of the row of chairs as quickly as usual, I discovered this same individual with his hand in the bag. I signed to him impatiently to pass it back. After service he came to the vestry and said that he had contributed a florin in mistake for a penny, and was trying to retrieve it. I could generally estimate pretty accurately the amount of the collection, as I handed the bag, knowing the extent of each person's usual gift, and sure enough, there was an extra florin among the coins, with which I sent him away happy.

The parish must have been an uncivilized place in former times; there was an accusing record beneath the west window of the tower, in the shape of a blocked up entrance. I was told that the ringers, not wishing to enter or leave the tower through the church door during service, and also to facilitate the smuggling in of unlimited cider had, after strenuous efforts, cut an opening through the ancient wall and base some feet in thickness, and that the achievement was announced to the village by uproarious cheering when at last they succeeded. A door was afterwards fitted to the aperture, but the entrance was abolished later by a more reverent Vicar.

The belfry was decorated with various bones of legs of mutton and of joints of beef, hung up to commemorate notable weddings of prominent parishioners—perhaps, too, as a hint to future aspirants to the state of matrimony—when the ringers had enjoyed a substantial meal and gallons of cider at the expense of the bridegroom. There seems to have been a traditional connection between church bell-ringing and thirst, for Gilbert White relates that when the bells of Selborne Church were recast and a new one presented in 1735, "The day of the arrival of this tuneable peal was observed as an high festival by the village, and rendered more joyous by an order from the donor that the treble bell should be fixed bottom upward in the ground and filled with punch, of which all present were permitted to partake."