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Is it Florence we follow, or are we to tarry yet longer,
E'en amid clamour of arms, here in the city of old,
Seeking from clamour of arms in the Past and the Arts to be hidden,
Vainly 'mid Arts and the Past seeking one life to forget?
Ah, fair shadow, scarce seen, go forth! for anon he shall follow,—
He that beheld thee, anon, whither thou leadest must go!
Go, and the wise, loving Muse, she also will follow and find thee!
She, should she linger in Rome, were not dissevered from thee!
Canto III.
Yet to the wondrous St. Peter's, and yet to the solemn Rotunda,
Mingling with heroes and gods, yet to the Vatican Walls,
Yet may we go, and recline, while a whole mighty world seems above us,
Gathered and fixed to all time into one roofing supreme;
Yet may we, thinking on these things, exclude what is meaner around us;
Yet, at the worst of the worst, books and a chamber remain;
Yet may we think, and forget, and possess our souls in resistance.—
Ah, but away from the stir, shouting, and gossip of war,
Where, upon Apennine slope, with the chestnut the oak-trees immingle,
Where, amid odorous copse bridle-paths wander and wind,
Where, under mulberry-branches, the diligent rivulet sparkles,
Or amid cotton and maize peasants their water-works ply,
Where, over fig-tree and orange in tier upon tier still repeated,
Garden on garden upreared, balconies step to the sky,—
Ah, that I were far away from the crowd and the streets of the city,
Under the vine-trellis laid, O my beloved, with thee!
I. Mary Trevellyn to Miss Roper,—on the way to Florence.
Why doesn't Mr. Claude come with us? you ask.—We don't know,
You should know better than we. He talked of the Vatican marbles;
But I can't wholly believe that this was the actual reason,—
He was so ready before, when we asked him to come and escort us.
Certainly he is odd, my dear Miss Roper. To change so
Suddenly, just for a whim, was not quite fair to the party,—
Not quite right. I declare, I really almost am offended:
I, his great friend, as you say, have doubtless a title to be so.
Not that I greatly regret it, for dear Georgina distinctly
Wishes for nothing so much as to show her adroitness. But, oh, my
Pen will not write any more;—let us say nothing further about it.
* * * * * * * *
Yes, my dear Miss Roper, I certainly called him repulsive;
So I think him, but cannot be sure I have used the expression
Quite as your pupil should; yet he does most truly repel me.
Was it to you I made use of the word? or who was it told you?
Yes, repulsive; observe, it is but when he talks of ideas
That he is quite unaffected, and free, and expansive, and easy;
I could pronounce him simply a cold intellectual being.—
When does he make advances?—He thinks that women should woo him;
Yet, if a girl should do so, would be but alarmed and disgusted.
She that should love him must look for small love in return,—like the ivy
On the stone wall, must expect but a rigid and niggard support, and
E'en to get that must go searching all round with her humble embraces.
II. Claude to Eustace,—from Rome.
Tell me, my friend, do you think that the grain would sprout in the furrow,
Did it not truly accept as its summum and ultimum bonum
That mere common and may-be indifferent soil it is set in?
Would it have force to develop and open its young cotyledons,
Could it compare, and reflect, and examine one thing with another?
Would it endure to accomplish the round of its natural functions
Were it endowed with a sense of the general scheme of existence?
While from Marseilles in the steamer we voyage to Civita Vecchia,
Vexed in the squally seas as we lay by Capraja and Elba,
Standing, uplifted, alone on the heaving poop of the vessel,
Looking around on the waste of the rushing incurious billows,
'This is Nature,' I said: 'we are born as it were from her waters;
Over her billows that buffet and beat us, her offspring uncared-for,
Casting one single regard of a painful victorious knowledge,
Into her billows that buffet and beat us we sink and are swallowed.'
This was the sense in my soul, as I swayed with the poop of the steamer;
And as unthinking I sat in the hall of the famed Ariadne,
Lo, it looked at me there from the face of a Triton in marble.
It is the simpler thought, and I can believe it the truer.
Let us not talk of growth; we are still in our Aqueous Ages.
III. Claude to Eustace.
Farewell, Politics, utterly! What can I do? I cannot
Fight, you know; and to talk I am wholly ashamed. And although I
Gnash my teeth when I look in your French or your English papers,
What is the good of that? Will swearing, I wonder, mend matters?
Cursing and scolding repel the assailants? No, it is idle;
No, whatever befalls, I will hide, will ignore or forget it.
Let the tail shift for itself; I will bury my head. And what's the
Roman Republic to me, or I to the Roman Republic?
Why not fight?—In the first place, I haven't so much as a musket;
In the next, if I had, I shouldn't know how I should use it;
In the third, just at present I'm studying ancient marbles;
In the fourth, I consider I owe my life to my country;
In the fifth—I forget, but four good reasons are ample.
Meantime, pray let 'em fight, and be killed. I delight in devotion.
So that I 'list not, hurrah for the glorious army of martyrs!
Sanguis martyrum semen Ecclesiae; though it would seem this
Church is indeed of the purely Invisible, Kingdom-come kind:
Militant here on earth! Triumphant, of course, then, elsewhere!
Ah, good Heaven, but I would I were out far away from the pother!
IV. Claude to Eustace.
Not, as we read in the words of the olden-time inspiration,
Are there two several trees in the place we are set to abide in;
But on the apex most high of the Tree of Life in the Garden,
Budding, unfolding, and falling, decaying and flowering ever,
Flowering is set and decaying the transient blossom of Knowledge,—
Flowering alone, and decaying, the needless unfruitful blossom.
Or as the cypress-spires by the fair-flowing stream Hellespontine,
Which from the mythical tomb of the godlike Protesilaus
Rose sympathetic in grief to his love-lorn Laodamia,
Evermore growing, and when in their growth to the prospect attaining,
Over the low sea-banks, of the fatal Ilian city,
Withering still at the sight which still they upgrow to encounter.
Ah, but ye that extrude from the ocean your helpless faces,
Ye over stormy seas leading long and dreary processions,
Ye, too, brood of the wind, whose coming is whence we discern not,
Making your nest on the wave, and your bed on the crested billow,
Skimming rough waters, and crowding wet sands that the tide shall return to,
Cormorants, ducks, and gulls, fill ye my imagination!
Let us not talk of growth; we are still in our Aqueous Ages.
V. Mary Trevellyn to Miss Roper,—from Florence.
Dearest Miss Roper,—Alas! we are all at Florence quite safe, and
You, we hear, are shut up! indeed, it is sadly distressing!
We were most lucky, they say, to get off when we did from the troubles.
Now you are really besieged; they tell us it soon will be over;
Only I hope and trust without any fight in the city.
Do you see Mr. Claude?—I thought he might do something for you.
I am quite sure on occasion he really would wish to be useful.
What is he doing? I wonder;—still studying Vatican marbles?
Letters, I hope, pass through. We trust your brother is better.
VI. Claude to Eustace.
Juxtaposition, in fine; and what is juxtaposition?
Look you, we travel along in the railway-carriage or steamer,
And, pour passer le temps, till the tedious journey be ended,
Lay aside paper or book, to talk with the girl that is next one;
And, pour passer le temps, with the terminus all but in prospect,
Talk of eternal ties and marriages made in heaven.
Ah, did we really accept with a perfect heart the illusion!
Ah, did we really believe that the Present indeed is the Only!
Or through all transmutation, all shock and convulsion of passion,
Feel we could carry undimmed, unextinguished, the light of our knowledge!
But for his funeral train which the bridegroom sees in the distance,
Would he so joyfully, think you, fall in with the marriage procession?
But for that final discharge, would he dare to enlist in that service?
But for that certain release, ever sign to that perilous contract?
But for that exit secure, ever bend to that treacherous doorway?—
Ah, but the bride, meantime,—do you think she sees it as he does?
But for the steady fore-sense of a freer and larger existence,
Think you that man could consent to be circumscribed here into action?
But for assurance within a limitless ocean divine, o'er
Whose great tranquil depths unconscious the wind-tost surface
Breaks into ripples of trouble that come and change and endure not,—
But that in this, of a truth, we have our being, and know it,
Think you we men could submit to live and move as we do here?
Ah, but the women,—God bless them! they don't think at all about it.
Yet we must eat and drink, as you say. And as limited beings
Scarcely can hope to attain upon earth to an Actual Abstract,
Leaving to God contemplation, to His hands knowledge confiding,
Sure that in us if it perish, in Him it abideth and dies not,
Let us in His sight accomplish our petty particular doings,—
Yes, and contented sit down to the victual that He has provided.
Allah is great, no doubt, and Juxtaposition his prophet.
Ah, but the women, alas! they don't look at it that way.
Juxtaposition is great;—but, my friend, I fear me, the maiden
Hardly would thank or acknowledge the lover that sought to obtain her,
Not as the thing he would wish, but the thing he must even put up with,—
Hardly would tender her hand to the wooer that candidly told her
That she is but for a space, an ad-interim solace and pleasure,—
That in the end she shall yield to a perfect and absolute something,
Which I then for myself shall behold, and not another,—
Which amid fondest endearments, meantime I forget not, forsake not
Ah, ye feminine souls, so loving, and so exacting,
Since we cannot escape, must we even submit to deceive you?
Since, so cruel is truth, sincerity shocks and revolts you,
Will you have us your slaves to lie to you, flatter and—leave you?