THE ROGUE NOVEL
THE ROGUE NOVEL
Democracy in literature.
Few characters in literature have had so large or so honourable a progeny as the gutter-snipe. If the Kings' daughters of High Romance, charming, delicate creatures, had only wedded with Kings' sons, as delicately fashioned as themselves, we should never have known the sterling dynasty of the Tom Joneses and the Humphry Clinkers, with their honest hearts and coarse hides warranted to wear. All those Kings of men, whose thrones were beer-barrels, whose sceptres, oaken cudgels, whose perennial counsellor was Jollity, whose enemy, Introspection, would never have come to their own, and indeed would never have been born, if it had not been for the sixteenth century entry of the rascal into the Palace gardens, for the escapades of such shaggy-headed, smutfaced, barefooted urchins as Lazarillo de Tormes.
To such rogues as he must be attributed much of our present humanity; for until we could laugh at those of low estate, we held them of little account. There is small mention made of serving-men in the Morte Darthur or the Mabinogion, and when, in the Heptameron of Margaret of Navarre, we hear of the drowning of a number of them in trying to render easy the passage of their masters through the floods, the comment is extremely short: 'One must not despair for the loss of servants, for they are easy to replace.' On a similar occasion 'all the company were filled with a joy inestimable, praising the Creator, who, contenting himself with serving-men, had saved the masters and mistresses,' an index alike to the ferocity they still attributed to God and the rather exclusive humanity of themselves. Do you not think with sudden awe of the revolution to come? Do you not hear a long way off the trampling of a million serving-men, prepared to satisfy God with other lives? It is a fine contrast to turn from these queenly sentences to this little book, the autobiography of a beggar, who thinks himself sufficiently important to set down the whole truth about his birth, lest people should make any mistake. 'My father, God be kind to him, had for fifteen years a mill on the river of Tormes.... I was scarcely eight when he was accused of having, with evil intent, made leakage in his check sacks.... Letting himself be surprised, he confessed all, and suffered patiently the chastisement of justice, which makes me hope that he is, according to the Gospel, of the number of those happy in the Glory of God.' No very reputable parentage this, in a day when it was the fashion to derive heroes from Charlemagne or Amadis.
Lazarillo de Tormes.
It is a short step from the ironic to the sincere. The author of the book is laughing at his hero, and makes a huge joke of his pretensions. But to recognise, even in jest, that a vagabond rogue could have pretensions, or indeed any personal character at all beyond that of a tool in the hand of whoever was kind enough to use him, was to look upon him with a humaner eye and, presently, to recognise him in earnest as a fellow creature. It seems to me significant that the first rogues in our literature should come from Spain, a country that has never quite forgotten its Moorish occupation. In the Spanish student, who, so tradition says, wrote Lazarillo while in the University of Salamanca, there must have been something of the spirit of the race that lets the hunchback tell his story to the Caliph, and is glad when the son of the barber marries the daughter of the Grand Vizier. For, joke as it is, the book is the story of a beggar, told as a peculiarly fearless and brazen beggar would tell it, without suggesting or demanding either condescension or pity.