There were also assemblies with comedies at the Queen's, at Richelieu's, and at a number of personages', and Mademoiselle herself received at the Tuileries.
The night of the 23d-24th January (1636) [reports the Gazette] Mademoiselle in her lodgings at the Tuileries, gave a comedy and a ball to the Queen, where the Good Grace of this princess in the dawn of her life, gave proof of what her noontide is to be. The 24th February, Monsieur gave a comedy and a collation to His Royal Highness of Parma at Mademoiselle his daughter's, in her apartments at the Tuileries.
Mademoiselle passed the days and the nights in fêtes. Her studies did not suffer by it because she never studied and never knew anything of study outside of reading and writing, making a courtesy, and carefully observing the rules of a minute etiquette.
It is probable that she owed the little that she knew to several months of forced retreat in a convent, when she was nine years old. She made herself so intolerable to every one,—it is she who tells it,—she was so vexatious, with her "grimaces" and her "mockeries," that they put her in a cloister to try to discipline her and to correct her faults; the plan succeeded: "They saw me return ... wiser, and better than I had been." Yes, more sober, better behaved, and a little less ignorant, but not much less. The following letter, bearing the date of her maturity, shows more clearly than all the descriptions in the world, the degree of instructions which satisfied the seventeenth century's ideas of the education of a princess. The letter is addressed to Colbert ("a Choisy ce 5 Août 1665"):
Monsieur, le sieur Segrais qui est de la cademy et qui a bocoup travalie pour la gloire du Roy et pour le public, aiant este oublie lannee passée dans les gratifications que le Roy a faicts aux baus essprit ma prie de vous faire souvenir de luy set un aussi homme de mérite et qui est a moi il ya long tams jespere que cela ne nuira pas a vous obliger a avoir de la consideration pour luy set se que je vous demande et de une croire, monsieur Colbert, etc.
This orthography did not hinder Mademoiselle when, under the name of "Princess Cassandane" she figured in the Grand Dictionnaire des Précieuses; and according to the distinctions established between the "true précieuse" and the "Savante" by Mademoiselle de Scudéry, she had a right to figure there, as had many of her noble contemporaries, who would have been the shame of the humblest of the schools.
The "true précieuse," she who left comets and the Greek language to the "Savantes," applied herself to the task of penetrating the mysteries of the heart. That was her science, and from certain points of view it was worth as much as any other.
La Grande Mademoiselle devoted her talents and her life to the perfection of her particular art. Keeping well within the limits that she herself had set, she made a special study of the hearts of princesses and of everything concerning them; and she professed that she had established, definitely, the only proper methods by which persons of her quality should, bound in duty to themselves, look upon love, and upon glory.