JEAN BAPTISTE COLBERT
After the painting by Champaign
In the memorable conversation in which Louis XIV. avowed to his mother that he was no longer master of his passions, Anne of Austria had warned him that he was "too intoxicated with his own grandeur."[140] She spoke truly; the infatuation had been rapid. The excuse for the King was the fact that the entire world shared in his self-admiration. It is not our plan to give any account of the internal government, or of diplomatic action, which relates to the early attempts of Louis XIV., so fruitful in great results and so glorious for himself. We limit ourselves to stating the fact. The superiority of France is manifested in the first contact with England and Spain, and was not less clearly felt on the other side of the Rhine. Louis, says a German historian, possessed an influence in the German Empire, at least in its western portions, equal if not superior to the authority of the Emperor.[141]
Strangers were almost always struck by the solicitude of his government for artisans and commercial people.
Without doubt, sentimental reasons did not count for much; when Colbert forbade the collectors of taxes to take the cattle from the labourers, he was simply applying in the name of the King the principles of a good business man who considers his debtor. But the benefit was no less great. From whatever point of view one looked, France gave to other nations the impression of a progressive people. It was recognised that she had taken the position of head of Europe. The country at large felt this. It very justly considered this upward flight due to the personal efforts of its young King, and was grateful for his enormous labour.
Louis well understood this. It was a "party cry" to insist on all occasions upon the trouble which he took in his "trade of King" and the great fatigues which he endured for the public good. The Gazette, as an official journal, never failed to emphasise this. Every event was coloured to this end.
Apropos of a trip of eight days, the journal wrote[142]: "This Prince, as indefatigable as Hercules in his labours," etc. It justified the royal ballets, which were most costly, by the excuse of the excessive brain work of the chief of state.
"On the eighth [January, 1663], the King, wearied with the pains with which His Majesty works so indefatigably for the welfare of his subjects, enjoyed in the palace of the Cardinal the diversion of a ballet of seven acts, called the Ballet des Arts."
Louis XIV. danced in the Ballet des Arts three times; Mlles. de Vallière, de Sévigné, and de Mortemart had a lively success in it; the latter was on the eve of becoming Mme. de Montespan.[143] The accounts of the representations of the new ballet alternate in the Gazette with the funeral ceremonies in honour of a daughter of the King and Queen, who died at six weeks of age on December 30th.