"PLEASURES OF THE ISLAND OF ENCHANTMENT." SCENE ON THE FIRST DAY OF THE PLAY, BEFORE THE KING AT VERSAILLES
From the engraving by Israel Silvestre
Louis XIV. had wept over his loss with that superficial sensibility in which he resembles, strange as it seems, the philosophers of the seventeenth century. He could have given points to Diderot in regard to the facility of pouring out torrents of tears, and he often astonished the Court by his emotion. He deceived the Queen from morning till evening, and he cried to see her weep when he quitted her. He brought forth crocodile tears for the death of his father-in-law.[144] In a turn of the hand, again like Diderot, he forgot his existence, and lost on his account neither a step in the dance nor a galant rendezvous.
To the ballet succeeded other "relaxations," and it is curious to see the Gazette taking the pains to explain that the King had well earned a simple trip for pleasure (April 7, 1663): "This week the King, in order to gain some relief from the continual application for the establishing the felicity of his subjects, has enjoyed the diversion of a little journey to Saint-Germain-en-Laye and to Versailles."
The mundane chronicles[145] falling into line, Louis XIV. saw his "glory" as a great worker ascending into the clouds, together with his "glory" as a man of war, and in one word as "universal hero." He could not even exercise his musketeers without the Gazette's issuing an extra leaf upon the "admiration of all spectators."[146]
All France struck the same note. When he went to take possession of Dunkerque,[147] he passed before a plaster Olympus, fabricated for the occasion. "He witnessed Neptune, who respectfully lowered his trident; the spirits of the Earth and Sea prostrated before this mighty Prince"—that is to say, himself, and he permitted his official journal to regale the country with these follies; it was clear in his eyes that Neptune and his Court only did their duty. Every one was prepared to deify him, and he received this homage with pleasure. This atmosphere of worship was very harmful to a man born with much good sense and with many superior parts. The brilliancy of his Court, for which he was considered responsible, contributed also to the general dazzle.
The surging crowd of twenty years later did not yet exist, when the Château of Versailles was finished, and Louis XIV. held his nobility lodged under his own hand,[148] only moving from his side to make a campaign. The young Court was only numerous at intervals. It will shortly be seen how much it had increased in May, 1664. On the 27th of the following month, the Duc d'Enghien wrote from Fontainebleau: "There are almost no women here, and but few men. Never has the Court been so small."[149] On August 16th, also at Fontainebleau, the Queen Mother gave a ball; she had only sixteen ladies and as many men.[150] In October, the Court is at Paris, and the King gives a fête: "The ball was not fine," writes the grand Condé, "the greater number of the ladies being still in the country. In all Paris, only fourteen could be found."[151]
"PLEASURES OF THE ISLAND OF ENCHANTMENT." SECOND DAY
From the engraving by Israel Silvestre