"I will never go to 'Elm Bluff'."

"It is no longer necessary. You know already the features printed there, and your avoidance stamps them with infamy. How can your lofty soul, your pure heart, tolerate a creature so craven, so vile?"

"We love not always whom we would, or should, were choice permitted us; and to whom I have given my heart, my whole deep heart, you shall never learn."

The mournful smile that lent such wistful loveliness to her flushed face, seemed to him merely a renewed defiance.

"I bide my time, knowing it will surely come. You are free, but be careful. Once when you lay upon the brink of the grave, unconscious, I knelt at your side and took you in my arms; laid your head on my heart, felt your cheek touch mine. Then and there I made a covenant with my soul; and no other man's arms shall ever enfold you. Ah, my Rosa Alba! I could dig your grave with my own hands, sooner than see that thief claim you. I am a proud man, and you have dragged me through the slough of humiliation, but to-day, as I bid you good-bye, I realize how one felt, who looking at the bust of him she loved supremely, said with her last breath: 'Voila mon univers, mon espoir, et mes dieux!' How soon we meet again depends solely on your future course. You know the conditions; and I promise you I will not swerve one iota."

He took her hand, drew it across his cheek, laid it on his lips; and a moment later walked away, with the faded flowers folded close in his palm.

CHAPTER XXIX.

Conveniently contiguous to the busy centre of a wide and populous city, situated on the shore of one of those great inland fresh-water seas, whose lake line girdles the primeval American upheaval, the Laurentian rocks,—stands in the middle of a square, enclosed by a stone coping and an iron railing, a stately pile of brick and granite several stories high, flanked by wings that enclose in the rear a spacious court. The facade was originally designed in the trabeated style, and still retained its massive entrance, with straight, grooved lintel over the door which was adorned by four round columns; but subsequent additions reflected the fluctuations of popular architectural taste, in the later arched windows, the broad oriel with its carved corbel, and in the new eastern wing, that had flowered into a Tudor tower with bulbous cupola. The strip of velvet sward between the street and the house entrance, was embossed with brilliant coleus set in the form of anchors; and a raised border, running the entire length under the windows of the basement, was ablaze with geraniums of various hues.

On a granite pediment above the portico, a large bronze anchor was supported, and beneath it was cut, in projecting letters: "The Umilta Anchorage".