With little delay, the journey was continued to Japan, where Doctor Rizal was surprised by an invitation to make his home in the Spanish consulate. There he was Page 140hospitably entertained, and a like courtesy was shown him in the Spanish minister’s home in Tokio. The latter even offered him a position, as a sort of interpreter, probably, should he care to remain in the country. This offer, however, was declined. Rizal made considerable investigation into the condition of the various Japanese classes and acquired such facility in the use of the language that with it and his appearance, for he was “very Japanese,” the natives found it difficult to believe that he was not one of themselves. The month or more passed here he considered one of the happiest in his travels, and it was with regret that he sailed from Yokohama for San Francisco. A Japanese newspaper man, who knew no other language than his own, was a companion on the entire journey to London, and Rizal acted as his interpreter.
Not only did he enter into the spirit of the language but with remarkable versatility he absorbed the spirit of the Japanese artists and acquired much dexterity in expressing himself in their style, as is shown by one of the illustrations in this book. The popular idea that things occidental are reversed in the Orient was amusingly caricatured in a sketch he made of a German face; by reversing its lines he converted it into an old-time Japanese countenance.
The diary of the voyage from Hongkong to Japan records an incident to which he alludes as being similar to that of Aladdin in the Tagalog tale of Florante. The Filipino wife of an Englishman, Mrs. Jackson, who was a passenger on board, told Rizal a great deal about a Filipino named Rachal, who was educated in Europe and had written a much-talked-of novel, which she described and of which she spoke in such flattering terms that Rizal declared his identity. The confusion in names is explained Page 141Page 142by the fact that Rachal is a name well known in the Philippines as that of a popular make of piano.
Imitation of Japanese art by Rizal.
At San Francisco the boat was held for some time in quarantine because of sickness aboard, and Rizal was impressed by the fact that the valuable cargo of silk was not delayed but was quickly transferred to the shore. His diary is illustrated with a drawing of the Treasury flag on the customs launch which acted as go-between for their boat and the shore. Finally, the first-class passengers were allowed to land, and he went to the Palace Hotel.
With little delay, the overland journey was begun; the scenery through the picturesque Rocky Mountains especially impressed him, and finally Chicago was reached. The thing that struck him most forcibly in that city was the large number of cigar stores with an Indian in front of each—and apparently no two Indians alike. The unexpressed idea was that in America the remembrance of the first inhabitants of the land and their dress was retained and popularized, while in the Philippines knowledge of the first inhabitants of the land was to be had only from foreign museums.
Niagara Falls is the next impression recorded in the diary, which has been preserved and is now in the Newberry Library of Chicago. The same strange, awe-inspiring mystery which others have found in the big falls affected him, but characteristically he compared this world-wonder with the cascades of his native La Laguna, claiming for them greater delicacy and a daintier enchantment.
From Albany, the train ran along the banks of the Hudson, and he was reminded of the Pasig in his homeland, with its much greater commerce and its constant activity.
At New York, Rizal embarked on the City of Rome, then the finest steamer in the world, and after a pleasant Page 143voyage, in which his spare moments were occupied in rereading “Gulliver’s Travels” in English, Rizal reached England, and said good-by to the friends whom he had met during their brief ocean trip together.