“How!” said Lord Bolingbroke; “that quick, restless eye seems to have very little of the dove in it.”
“But how beautiful she is!” said Trefusis, admiringly. “What a pity that those exquisite hands should be so dirty! It reminds me” (Trefusis loved a coarse anecdote) “of her answer to old Madame de Noailles, who made exactly the same remark to her. ‘Do you call my hands dirty?’ cried Lady Mary, holding them up with the most innocent naivete. ‘Ah, Madame, si vous pouviez voir mes pieds!’”
“Fi donc,” said I, turning away; “but who is that very small, deformed man behind her,—he with the bright black eye?”
“Know you not?” said Bolingbroke; “tell it not in Gath!—‘tis a rising sun, whom I have already learned to worship,—the young author of the ‘Essay on Criticism,’ and ‘The Rape of the Lock.’ Egad, the little poet seems to eclipse us with the women as much as with the men. Do you mark how eagerly Lady Mary listens to him, even though the tall gentleman in black, who in vain endeavours to win her attentions, is thought the handsomest gallant in London? Ah, Genius is paid by smiles from all females but Fortune; little, methinks, does that young poet, in his first intoxication of flattery and fame, guess what a lot of contest and strife is in store for him. The very breath which a literary man respires is hot with hatred, and the youthful proselyte enters that career which seems to him so glittering, even as Dame Pliant’s brother in the ‘Alchemist’ entered town,—not to be fed with luxury, and diet on pleasure, but ‘to learn to quarrel and live by his wits.’”
The play was now nearly over. With great gravity Lord Bolingbroke summoned one of the principal actors to his box, and bespoke a play for the next week; leaning then on my arm, he left the theatre. We hastened to his home, put on our disguises, and, without any adventure worth recounting, effected our escape and landed safely at Calais.
CHAPTER IV.
PARIS.—A FEMALE POLITICIAN AND AN ECCLESIASTICAL ONE.—SUNDRY OTHER MATTERS.
THE ex-minister was received both at Calais and at Paris with the most gratifying honours: he was then entirely the man to captivate the French. The beauty of his person, the grace of his manner, his consummate taste in all things, the exceeding variety and sparkling vivacity of his conversation, enchanted them. In later life he has grown more reserved and profound, even in habitual intercourse; and attention is now fixed to the solidity of the diamond, as at that time one was too dazzled to think of anything but its brilliancy.
While Bolingbroke was receiving visits of state, I busied myself in inquiring after a certain Madame de Balzac. The reader will remember that the envelope of that letter which Oswald had brought to me at Devereux Court was signed by the letters C. de B. Now, when Oswald disappeared, after that dreadful night to which even now I can scarcely bring myself to allude, these initials occurred to my remembrance, and Oswald having said they belonged to a lady formerly intimate with my father, I inquired of my mother if she could guess to what French lady such initials would apply. She, with an evident pang of jealousy, mentioned a Madame de Balzac; and to this lady I now resolved to address myself, with the faint hope of learning from her some intelligence respecting Oswald. It was not difficult to find out the abode of one who in her day had played no inconsiderable role in that ‘Comedy of Errors,’—the Great World. She was still living at Paris: what Frenchwoman would, if she could help it, live anywhere else? “There are a hundred gates,” said the witty Madame de Choisi to me, “which lead into Paris, but only two roads out of it,—the convent, or (odious word!) the grave.”