Rienzi, the Last of the Roman Tribunes

by Baron Edward Bulwer Lytton Lytton

“Hast thou aught else to say? Thy sight scares my very womanhood from my soul!—let me be gone.”

“Dead!—may I believe thee? or dost thou mock me? Thou hast uttered thy curse, hearken to my warning:—If thou hast lied in this, thy last hour shall dismay thee, and thy death-bed shall be the death-bed of despair!”

“Thy lips,” replied the female, with a scornful smile, “are better adapted for lewd vows to unhappy maidens, than for the denunciations which sound solemn only when coming from the good. Farewell!”

“Stay! inexorable woman! stay!—where sleeps he? Masses shall be sung! priests shall pray!—the sins of the father shall not be visited on that young head!”

“At Florence!” returned the woman, hastily. “But no stone records the departed one!—The dead boy had no name!”

Waiting for no further questionings, the woman now passed on,—pursued her way;—and the long herbage, and the winding descent, soon snatched her ill-omened apparition from the desolate landscape.

Montreal, thus alone, sunk with a deep and heavy sigh upon the ground, covered his face with his hands, and burst into an agony of grief; his chest heaved, his whole frame trembled, and he wept and sobbed aloud, with all the fearful vehemence of a man whose passions are strong and fierce, but to whom the violence of grief alone is novel and unfamiliar.

He remained thus, prostrate and unmanned, for a considerable time, growing slowly and gradually more calm as tears relieved his emotion; and, at length, rather indulging a gloomy reverie than a passionate grief. The moon was high and the hour late when he arose, and then few traces of the past excitement remained upon his countenance; for Walter de Montreal was not of that mould in which woe can force a settlement, or to which any affliction can bring the continued and habitual melancholy that darkens those who feel more enduringly, though with emotions less stormy. His were the elements of the true Franc character, though carried to excess: his sternest and his deepest qualities were mingled with fickleness and caprice; his profound sagacity often frustrated by a whim; his towering ambition deserted for some frivolous temptation; and his elastic, sanguine, and high-spirited nature, faithful only to the desire of military glory, to the poetry of a daring and stormy life, and to the susceptibilities of that tender passion without whose colourings no portrait of chivalry is complete, and in which he was capable of a sentiment, a tenderness, and a loyal devotion, which could hardly have been supposed compatible with his reckless levity and his undisciplined career.

“Well,” said he, as he rose slowly, folded his mantle round him, and resumed his way, “it was not for myself I grieved thus. But the pang is past, and the worst is known. Now, then, back to those things that never die—restless projects and daring schemes. That hag’s curse keeps my blood cold still, and this solitude has something in it weird and awful. Ha!—what sudden light is that?”

The light which caught Montreal’s eye broke forth almost like a star, scarcely larger, indeed, but more red and intense in its ray. Of itself it was nothing uncommon, and might have shone either from convent or cottage. But it streamed from a part of the Aventine which contained no habitations of the living, but only the empty ruins and shattered porticoes, of which even the names and memories of the ancient inhabitants were dead. Aware of this, Montreal felt a slight awe (as the beam threw its steady light over the dreary landscape); for he was not without the knightly superstitions of the age, and it was now the witching hour consecrated to ghost and spirit. But fear, whether of this world or the next, could not long daunt the mind of the hardy freebooter; and, after a short hesitation, he resolved to make a digression from his way, and ascertain the cause of the phenomenon. Unconsciously, the martial tread of the barbarian passed over the site of the famed, or infamous, Temple of Isis, which had once witnessed those wildest orgies commemorated by Juvenal; and came at last to a thick and dark copse, from an opening in the centre of which gleamed the mysterious light. Penetrating the gloomy foliage, the Knight now found himself before a large ruin, grey and roofless, from within which came, indistinct and muffled, the sound of voices. Through a rent in the wall, forming a kind of casement, and about ten feet from the ground, the light now broke over the matted and rank soil, embedded, as it were, in vast masses of shade, and streaming through a mouldering portico hard at hand. The Provencal stood, though he knew it not, on the very place once consecrated by the Temple: the Portico and the Library of Liberty (the first public library instituted in Rome). The wall of the ruin was covered with innumerable creepers and wild brushwood, and it required but little agility on the part of Montreal, by the help of these, to raise himself to the height of the aperture, and, concealed by the luxuriant foliage, to gaze within. He saw a table, lighted with tapers, in the centre of which was a crucifix; a dagger, unsheathed; an open scroll, which the event proved to be of sacred character; and a brazen bowl. About a hundred men, in cloaks, and with black vizards, stood motionless around; and one, taller than the rest, without disguise or mask—whose pale brow and stern features seemed by that light yet paler and yet more stern—appeared to be concluding some address to his companions.