"How well Mademoiselle Cicogna looked last night!"
"Did she? It seemed to me that, in health at least, she did not look very well. Have you heard what day M. Thiers will speak on the war?"
"Thiers? No. Who cares about Thiers? Thank heaven his day is past!
I don't know any unmarried woman in Paris, not even Valerie—I mean
Mademoiselle Duplessis—who has so exquisite a taste in dress as
Mademoiselle Cicogna. Generally speaking, the taste of a female author
is atrocious."
"Really—I did not observe her dress. I am no critic on subjects so dainty as the dress of ladies, or the tastes of female authors."
"Pardon me," said the beau Marquis, gravely. "As to dress, I think that so essential a thing in the mind of woman, that no man who cares about women ought to disdain critical study of it. In woman, refinement of character is never found in vulgarity of dress. I have only observed that truth since I came up from Bretagne."
"I presume, my dear Marquis, that you may have read in Bretagne books which very few not being professed scholars have ever read at Paris; and possibly you may remember that Horace ascribes the most exquisite refinement in dress, denoted by the untranslatable words, 'simplex munditiis,' to a lady who was not less distinguished by the ease and rapidity with which she could change her affection. Of course that allusion does not apply to Mademoiselle Cicogna, but there are many other exquisitely dressed ladies at Paris of whom an ill-fated admirer
'fidem Mutatosque deos flebit.'
"Now, with your permission, we will adjourn to the box of letters."
The box being produced and unlocked, Alain looked with conscientious care at its contents before he passed over to Graham's inspection a few epistles, in which the Englishman immediately detected the same handwriting as that of the letter from Louise which Richard King had bequeathed to him.
They were arranged and numbered chronologically.