CHAPTER XII.
The pocket-cannibal baits his woman’s trap with love-letters, and a
widow allured steals timidly towards it from under the weeds.
Jasper Losely is beginning to be hard up! The infallible calculation at rouge-et-noir has carried off all that capital which had accumulated from the savings of the young gentlemen whom Dolly Poole had contributed to his exchequer. Poole himself is beset by duns, and pathetically observes “that he has lost three stone in weight, and that he believes the calves to his legs are gone to enlarge his liver.”
Jasper is compelled to put down his cabriolet, to discharge his groom, to retire from his fashionable lodgings; and just when the prospect even of a dinner becomes dim, he bethinks himself of Arabella Crane, and remembers that she promised him L5, nay L10, which are still due from her. He calls; he is received like the prodigal son. Nay, to his own surprise, he finds Mrs. Crane has made her house much more inviting: the drawing-rooms are cleaned up; the addition of a few easy articles of furniture gives them quite a comfortable air. She herself has improved in costume, though her favourite colour still remains iron gray. She informs Jasper that she fully expected him; that these preparations are in his honour; that she has engaged a very good cook; that she hopes he will dine with her when not better engaged; in short, lets him feel himself at home in Podden Place.
Jasper at first suspected a sinister design, under civilities that his conscience told him were unmerited,—a design to entrap him into that matrimonial alliance which he had so ungallantly scouted, and from which he still recoiled with an abhorrence which man is not justified in feeling for any connubial partner less preternaturally terrific than the Witch of Endor or the Bleeding Nun!
But Mrs. Crane quickly and candidly hastened to dispel his ungenerous apprehensions. She had given up, she said, all ideas so preposterous; love and wedlock were equally out of her mind. But ill as he had behaved to her, she could not but feel a sincere regard for him,—a deep interest in his fate. He ought still to make a brilliant marriage: did that idea not occur to him? She might help him there with her woman’s wit. “In short,” said Mrs. Crane, pinching her lips, “In short, Jasper, I feel for you as a mother. Look on me as such!”
The pure and affectionate notion wonderfully tickled and egregiously delighted Jasper Losely. “Look on you as a mother! I will,” said he, with emphasis. “Best of creatures!” And though in his own mind he had not a doubt that she still adored him (not as a mother), he believed it was a disinterested, devoted adoration, such as the beautiful brute really had inspired more than once in his abominable life. Accordingly, he moved into the neighbourhood of Podden Place, contenting himself with a second-floor bedroom in a house recommended to him by Mrs. Crane, and taking his meals at his adopted mother’s with filial familiarity. She expressed a desire to make Mr. Poole’s acquaintance; Jasper hastened to present that worthy. Mrs. Crane invited Samuel Dolly to dine one day, to sup the next; she lent him L3 to redeem his dress-coat from pawn, and she gave him medicaments for the relief of his headache.
Samuel Dolly venerated her as a most superior woman; envied Jasper such a “mother.” Thus easily did Arabella Crane possess herself of the existence of Jasper Losely. Lightly her fingers closed over it,—lightly as the fisherman’s over the captivated trout. And whatever her generosity, it was not carried to imprudence. She just gave to Jasper enough to bring him within her power; she had no idea of ruining herself by larger supplies: she concealed from him the extent of her income (which was in chief part derived from house-rents), the amount of her savings, even the name of her banker. And if he carried off to the rouge-et-noir table the coins he obtained from her, and came for more, Mrs. Crane put on the look of a mother incensed,—mild but awful,—and scolded as mothers sometimes can scold. Jasper Losely began to be frightened at Mrs. Crane’s scoldings. And he had not that power over her which, though arrogated by a lover, is denied to an adopted son. His mind, relieved from the habitual distraction of the gaming-table for which the resource was wanting, settled with redoubled ardour on the image of Mrs. Haughton. He had called at her house several times since the fatal day on which he had met there Colonel Morley, but Mrs. Haughton was never at home. And as when the answer was given to him by the footman, he had more than once, on crossing the street, seen herself through the window, it was clear that his acquaintance was not courted. Jasper Losely, by habit, was the reverse of a pertinacious and troublesome suitor; not, Heaven knows, from want of audacity, but from excess of self-love. Where a Lovelace so superb condescended to make overtures, a Clarissa so tasteless as to decline them deserved and experienced his contempt. Besides, steadfast and prolonged pursuit of any object, however important and attractive, was alien to the levity and fickleness of his temper. But in this instance he had other motives than those on the surface for unusual perseverance.
A man like Jasper Losely never reposes implicit confidence in any one. He is garrulous, indiscreet; lets out much that Machiavel would have advised him not to disclose: but he invariably has nooks and corners in his mind which he keeps to himself. Jasper did not confide to his adopted mother his designs upon his intended bride. But she knew them through Poole, to whom he was more frank; and when she saw him looking over her select and severe library, taking therefrom the “Polite Letter-Writer” and the “Elegant Extracts,” Mrs. Crane divined at once that Jasper Losely was meditating the effect of epistolary seduction upon the widow of Gloucester Place.
Jasper did not write a bad love-letter in the florid style. He had at his command, in especial, certain poetical quotations, the effect of which repeated experience had assured him to be as potent upon the female breast as the incantations or carmina of the ancient sorcery. The following in particular,