“Had I a heart for falsehood framed,
I neer could injure you.”
Another, generally to be applied when confessing that his career had been interestingly wild, and would, if pity were denied him, be pathetically short,
“When he who adores thee has left but the name
Of his faults and his follies behind.”
Armed with these quotations, many a sentence from the “Polite Letter-Writer” or the “Elegant Extracts,” and a quire of rose-edged paper, Losely sat down to Ovidian composition.
But as he approached the close of epistle the first, it occurred to him that a signature and address were necessary. The address was not difficult. He could give Poole’s (hence his confidence to that gentleman): Poole had a lodging in Bury Street, St. James’s, a fashionable locality for single men. But the name required more consideration. There were insuperable objections against signing his own to any person who might be in communication with Mr. Darrell; a pity, for there was a good old family of the name of Losely. A name of aristocratic sound might indeed be readily borrowed from any lordly proprietor thereof without asking a formal consent. But this loan was exposed to danger. Mrs. Haughton might very naturally mention such name, as borne by her husband’s friend, to Colonel Morley; and Colonel Morley would most probably know enough of the connections and relations of any peer so honoured to say, “There is no such Greville, Cavendish, or Talbot.” But Jasper Losely was not without fertility of invention and readiness of resource. A grand idea, worthy of a master, and proving that, if the man had not been a rogue in grain, he could have been reared into a very clever politician, flashed across him. He would sign himself “SMITH.” Nobody could say there is no such Smith; nobody could say that a Smith might not be a most respectable, fashionable, highly-connected man. There are Smiths who are millionaires; Smiths who are large-acred squires; substantial baronets; peers of England, and pillars of the State. You can no more question a man’s right to be a Smith than his right to be a Briton; and wide as the diversity of rank, lineage, virtue, and genius in Britons is the diversity in Smiths. But still a name so generic often affects a definitive precursor. Jasper signed himself “J. COURTENAY SMITH.” He called, and left epistle the first with his own kid-gloved hand, inquiring first if Mrs. Haughton were at home, and, responded to in the negative this time, he asked for her son. “Her son was gone abroad with Colonel Morley.” Jasper, though sorry to lose present hold over the boy, was consoled at learning that the Colonel was off the ground. Afore sanguine of success, he glanced up at the window, and, sure that Mrs. Haughton was there, though he saw her not, lifted his hat with as melancholy an expression of reproach as he could throw into his face.
The villain could not have found a moment in Mrs. Haughton’s widowed life so propitious to his chance of success. In her lodging-house at Pimlico, the good lady had been too incessantly occupied for that idle train of revery, in which the poets assure us that Cupid finds leisure to whet his arrows and take his aim. Had Lionel still been by her side, had even Colonel Morley been in town, her affection for the one, her awe of the other, would have been her safeguards. But alone in that fine new house, no friends, no acquaintances as yet, no dear visiting circle on which to expend the desire of talk and the zest for innocent excitement that are natural to ladies of an active mind and a nervous temperament, the sudden obtrusion of a suitor so respectfully ardent,—oh, it is not to be denied that the temptation was IMMENSE.
And when that note, so neatly folded, so elegantly sealed, lay in her irresolute hand, the widow could not but feel that she was still young, still pretty; and her heart flew back to the day when the linendraper’s fair daughter had been the cynosure of the provincial High Street; when young officers had lounged to and fro the pavement, looking in at her window; when ogles and notes had alike beset her, and the dark eyes of the irresistible Charlie Haughton had first taught her pulse to tremble. And in her hand lies the letter of Charlie Haughton’s particular friend. She breaks the seal. She reads—a declaration!
Five letters in five days did Jasper write. In the course of those letters, he explains away the causes for suspicion which Colonel Morley had so ungenerously suggested. He is no longer anonymous; he is J. Courtenay Smith. He alludes incidentally to the precocious age in which he had become “lord of himself, that heritage of woe.” This accounts for his friendship with a man so much his senior as the late Charlie. He confesses that in the vortex of dissipation his hereditary estates have disappeared; but he has still a genteel independence; and with the woman of his heart, etc. He had never before known what real love was, etc. “Pleasure had fired his maddening soul;” “but the heart,—the heart been lonely still.” He entreated only a personal interview, even though to be rejected,—scorned. Still, when “he who adored her had left but the name,” etc. Alas! alas! as Mrs. Haughton put down epistle the fifth, she hesitated; and the woman who hesitates in such a case, is sure, at least—to write a civil answer.
Mrs. Haughton wrote but three lines,—still they were civil; and conceded an interview for the next day, though implying that it was but for the purpose of assuring Mr. J. Courtenay Smith, in person, of her unalterable fidelity to the shade of his lamented friend.
In high glee Jasper showed Mrs. Haughton’s answer to Dolly Poole, and began seriously to speculate on the probable amount of the widow’s income, and the value of her movables in Gloucester Place. Thence he repaired to Mrs. Crane; and, emboldened by the hope forever to escape from her maternal tutelage, braved her scoldings and asked for a couple of sovereigns. He was sure that he should be in luck that night. She gave to him the sum, and spared the scoldings. But, as soon as he was gone, conjecturing from the bravado of his manner what had really occurred, Mrs. Crane put on her bonnet and went out.