What Will He Do with It? — Complete

by Baron Edward Bulwer Lytton Lytton

There is a kind of young lady of whom her nearest relations will say, “I can’t make that girl out.” Matilda Darrell was that kind of young lady. She talked very little; she moved very noiselessly; she seemed to regard herself as a secret which she had solemnly sworn not to let out. She had been steeped in slyness from her early infancy by a sly mother. Mrs. Darrell was a woman who had always something to conceal. There was always some note to be thrust out of sight; some visit not to be spoken of; something or other which Matilda was not on any account to mention to Papa.

When Mrs. Darrell died, Matilda was still a child, but she still continued to view her father as a person against whom prudence demanded her to be constantly on her guard. It was not that she was exactly afraid of him—he was very gentle to her, as he was to all children; but his loyal nature was antipathetic to hers. She had no sympathy with him. How confide her thoughts to him? She had an instinctive knowledge that those thoughts were not such as could harmonise with his. Yet, though taciturn, uncaressing, undemonstrative, she appeared mild and docile. Her reserve was ascribed to constitutional timidity. Timid to a degree she usually seemed; yet, when you thought you had solved the enigma, she said or did something so coolly determined, that you were forced again to exclaim, “I can’t make that girl out!” She was not quick at her lessons. You had settled in your mind that she was dull, when, by a chance remark, you were startled to find that she was very sharp; keenly observant, when you had fancied her fast asleep. She had seemed, since her mother’s death, more fond of Mrs. Lyndsay and Caroline than of any other human beings—always appeared sullen or out of spirits when they were absent; yet she confided to them no more than she did to her father. You would suppose from this description that Matilda could inspire no liking in those with whom she lived. Not so; her very secretiveness had a sort of attraction—a puzzle always creates some interest. Then her face, though neither handsome nor pretty, had in it a treacherous softness—a subdued, depressed expression. A kind observer could not but say with an indulgent pity; “There must be a good deal of heart in that girl, if one could but—make her out.”

She appeared to take at once to Arabella, more than she had taken to Mrs. Lyndsay, or even to Caroline, with whom she had been brought up as a sister, but who, then joyous and quick and innocently fearless—with her soul in her eyes and her heart on her lips—had no charm for Matilda, because there she saw no secret to penetrate, and her she had no object in deceiving.

But this stranger, of accomplishments so rare, of character so decided, with a settled gloom on her lip, a gathered care on her brow—there was some one to study, and some one with whom she felt a sympathy; for she detected at once that Arabella was also a secret.

At first, Arabella, absorbed in her own reflections, gave to Matilda but the mechanical attention which a professional teacher bestows on an ordinary pupil. But an interest in Matilda sprung up in her breast, in proportion as she conceived a venerating gratitude for Darrell. He was aware of the pomp and circumstance which had surrounded her earlier years; he respected the creditable energy with which she had devoted her talents to the support of the young children thrown upon her care; compassionated her bereavement of those little fellow-orphans for whom toil had been rendered sweet; and he strove, by a kindness of forethought and a delicacy of attention, which were the more prized in a man so eminent and so preoccupied, to make her forget that she was a salaried teacher—to place her saliently, and as a matter of course, in the position of a gentlewoman, guest, and friend. Recognising in her a certain vigour and force of intellect apart from her mere accomplishments, he would flatter her scholastic pride, by referring to her memory in some question of reading, or consulting her judgment on some point of critical taste. She, in return, was touched by his chivalrous kindness to the depth of a nature that, though already seriously injured by its unhappy contact with a soul like Jasper’s, retained that capacity of gratitude, the loss of which is humanity’s last deprivation. Nor this alone: Arabella was startled by the intellect and character of Darrell into that kind of homage which a woman, who has hitherto met but her own intellectual inferiors, renders to the first distinguished personage in whom she recognises, half with humility and half with awe, an understanding and a culture to which her own reason is but the flimsy glass-house, and her own knowledge but the forced exotic.

Arabella, thus roused from her first listlessness, sought to requite Darrell’s kindness by exerting every energy to render his insipid daughter an accomplished woman. So far as mere ornamental education extends, the teacher was more successful than, with all her experience, her skill, and her zeal, she had presumed to anticipate. Matilda, without ear, or taste, or love for music, became a very fair mechanical musician. Without one artistic predisposition, she achieved the science of perspective—she attained even to the mixture of colours—she filled a portfolio with drawings which no young lady need have been ashamed to see circling round a drawing-room. She carried Matilda’s thin mind to the farthest bound it could have reached without snapping, through an elegant range of selected histories and harmless feminine classics—through Gallic dialogues—through Tuscan themes—through Teuton verbs—yea, across the invaded bounds of astonished Science into the Elementary Ologies. And all this being done, Matilda Darrell was exactly the same creature that she was before. In all that related to character, to inclinations, to heart, even that consummate teacher could give no intelligible answer, when Mrs. Lyndsay in her softest accents (and no accents ever were softer) sighed: “Poor dear Matilda! can you make her out, Miss Fossett?” Miss Fossett could not make her out. But, after the most attentive study, Miss Fossett had inly decided that there was nothing to make out—that, like many other very nice girls, Matilda Darrell was a harmless nullity, what you call “a Miss” white deal or willow, to which Miss Fossett had done all in the way of increasing its value as ornamental furniture, when she had veneered it over with rosewood or satinwood, enriched its edges with ormolu, and strewed its surface with nicknacks and albums. But Arabella firmly believed Matilda Darrell to be a quiet, honest, good sort of “Miss,” on the whole—very fond of her, Arabella. The teacher had been several months in Darrell’s family, when Caroline Lyndsay, who had been almost domesticated with Matilda (sharing the lessons bestowed on the latter, whether by Miss Fossett or visiting masters), was taken away by Mrs. Lyndsay on a visit to the old Marchioness of Montfort. Matilda, who was to come out the next year, was thus almost exclusively with Arabella, who redoubled all her pains to veneer the white deal, and protect with ormolu its feeble edges—so that, when it “came out,” all should admire that thoroughly fashionable piece of furniture. It was the habit of Miss Fossett and her pupil to take a morning walk in the quiet retreats of the Green Park; and one morning, as they were thus strolling, nursery-maids and children, and elderly folks who were ordered to take early exercises, undulating round their unsuspecting way,—suddenly, right upon their path (unlooked—for as the wolf that startled Horace in the Sabine wood, but infinitely more deadly than that runaway animal), came Jasper Losely! Arabella uttered a faint scream. She could not resist—had no thought of resisting—the impulse to bound forward—lay her hand on his arm. She was too agitated to perceive whether his predominant feeling was surprise or rapture. A few hurried words were exchanged, while Matilda Darrell gave one sidelong glance towards the handsome stranger, and walked quietly by them. On his part, Jasper said that he had just returned to London—that he had abandoned for ever all idea of a commercial life—that his father’s misfortune (he gave that gentle appellation to the incident of penal transportation) had severed him from all former friends, ties, habits—that he had dropped the name of Losely for ever—entreated Arabella not to betray it—his name now was Hammond—his “prospects,” he said, “fairer than they had ever been.” Under the name of Hammond, as an independent gentleman, he had made friends more powerful than he could ever have made under the name of Losely as a city clerk. He blushed to think he had ever been a city clerk. No doubt he should get into some Government office; and then, oh then, with assured income and a certainty to rise, he might claim the longed-for hand of the “best of creatures.”

On Arabella’s part, she hastily explained her present position. She was governess to Miss Darrell—that was Miss Darrell. Arabella must not leave her walking on by herself—she would write to him. Addresses were exchanged—Jasper gave a very neat card—“Mr. Hammond, No.—, Duke Street, St. James’s.”

Arabella, with a beating heart, hastened to join her friend. At the rapid glance she had taken of her perfidious lover, she thought him, if possible, improved. His dress, always studied, was more to the fashion of polished society, more simply correct—his air more decided. Altogether he looked prosperous, and his manner had never been more seductive, in its mixture of easy self-confidence and hypocritical coaxing. In fact, Jasper had not been long in the French commercial house—to which he had been sent out of the way while his father’s trial was proceeding and the shame of it fresh—before certain licenses of conduct had resulted in his dismissal. But, meanwhile, he had made many friends amongst young men of his own age—those loose wild viveurs who, without doing anything the law can punish as dishonest, contrive for a few fast years to live very showily on their wits. In that strange social fermentation which still prevails in a country where an aristocracy of birth, exceedingly impoverished, and exceedingly numerous so far as the right to prefix a De to the name, or to stamp a coronet on the card, can constitute an aristocrat—is diffused amongst an ambitious, adventurous, restless, and not inelegant young democracy—each cemented with the other by that fiction of law called egalite; in that yet unsettled and struggling society in which so much of the old has been irretrievably destroyed, and so little of the new has been solidly constructed—there are much greater varieties, infinitely more subtle grades and distinctions, in the region of life which lies between respectability and disgrace, than can be found in a country like ours. The French novels and dramas may apply less a mirror than a magnifying-glass to the beings that move through that region. But still those French novels and dramas do not unfaithfully represent the classifications of which they exaggerate the types. Those strange combinations, into one tableau, of students and grisettes; opera-dancers, authors, viscounts, swindlers, romantic Lorettes, gamblers on the Bourse, whose pedigree dates from the Crusades; impostors, taking titles from villages in which their grandsires might have been saddlers—and if detected, the detection but a matter of laugh; delicate women living like lawless men; men making trade out of love, like dissolute women, yet with point of honour so nice, that, doubt their truth or their courage, and—piff! you are in Charon’s boat,—humanity in every civilised land may present single specimens, more or less, answering to each thus described. But where, save in France, find them all, if not precisely in the same salons, yet so crossing each other to and fro as to constitute a social phase, and give colour to a literature of unquestionable genius? And where, over orgies so miscellaneously Berecynthian, an atmosphere so elegantly Horatian? And where can coarseness so vanish into polished expression as in that diamond-like language—all terseness and sparkle—which, as friendly to Wit in its airiest prose, as hostile to Passion in its torrent of cloud-wrack of poetry, seems invented by the Grace out of spite to the Muse?

Into circles such as those of which the dim outline is here so imperfectly sketched, Jasper Losely niched himself, as le bel Anglais. (Pleasant representative of the English nation!) Not that those circles are to have the sole credit of his corruption. No! Justice is justice! Stand we up for our native land! Le bel Anglais entered those circles a much greater knave than most of those whom he found there. But there, at least, he learned to set a yet higher value on his youth, and strength, and comeliness—on his readiness of resource—on the reckless audacity that browbeat timid and some even valiant men—on the six feet one of faultless symmetry that captivated foolish, and some even sensible women. Gaming was, however, his vice by predilection. A month before Arabella met him, he had had a rare run of luck. On the strength of it he had resolved to return to London, and (wholly oblivious of the best of creatures till she had thus startled him) hunt out and swoop off with an heiress. Three French friends accompanied him. Each had the same object. Each believed that London swarmed with heiresses. They were all three fine-looking men. One was a Count,—at least he said so. But proud of his rank?—not a bit of it: all for liberty (no man more likely to lose it)—all for fraternity (no man you would less love as a brother). And as for egalite!—the son of a shoemaker who was homme de lettres, and wrote in a journal, inserted a jest on the Count’s courtship. “All men are equal before the pistol,” said the Count; and knowing that in that respect he was equal to most, having practised at poupees from the age of fourteen, he called out the son of Crispin and shot him through the lungs. Another of Jasper’s travelling friends was an enfant die peuple—boasted that he was a foundling. He made verses of lugubrious strain, and taught Jasper how to shuffle at whist. The third, like Jasper, had been designed for trade; and, like Jasper, he had a soul above it. In politics he was a Communist—in talk Philanthropist. He was the cleverest man of them all, and is now at the galleys. The fate of his two compatriots—more obscure it is not my duty to discover. In that peculiar walk of life Jasper is as much as I can possibly manage.

It need not be said that Jasper carefully abstained from reminding his old city friends of his existence. It was his object and his hope to drop all identity with that son of a convict who had been sent out of the way to escape humiliation. In this resolve he was the more confirmed because he had no old city friends out of whom anything could be well got. His poor uncle, who alone of his relations in England had been privy to his change of name, was dead; his end hastened by grief for William Losely’s disgrace, and the bad reports he had received from France of the conduct of William Losely’s son. That uncle had left, in circumstances too straitened to admit the waste of a shilling, a widow of very rigid opinions; who, if ever by some miraculous turn in the wheel of fortune she could have become rich enough to slay a fatted calf, would never have given the shin-bone of it to a prodigal like Jasper, even had he been her own penitent son, instead of a graceless step-nephew. Therefore, as all civilisation proceeds westward, Jasper turned his face from the east; and had no more idea of recrossing Temple Bar in search of fortune, friends, or kindred, than a modern Welshman would dream of a pilgrimage to Asian shores to re-embrace those distant relatives whom Hu Gadarn left behind him countless centuries ago, when that mythical chief conducted his faithful Cymrians over the Hazy Sea to this happy island of Honey.