[324] {432} See Rev. Chap. viii. V. 7, etc., "The first angel sounded, and there followed hail and fire mingled with blood," etc. V. 8, "And the second angel sounded, and as it were a great mountain burning with fire was cast into the sea: and the third part of the sea became blood," etc. V. 10, "And the third angel sounded, and there fell a great star from heaven, burning as it were a lamp, and it fell upon the third part of the rivers, and upon the fountains of waters." V. 11, "And the name of the star is called Wormwood: and the third part of the waters became wormwood; and many men died of the waters, because they were made bitter."
[325] Murat's remains are said to have been torn from the grave and burnt. ["Poor dear Murat, what an end ...! His white plume used to be a rallying point in battle, like Henry the Fourth's. He refused a confessor and a bandage; so would neither suffer his soul or body to be bandaged."—Letter to Moore, November 4. 1815, Letters, 1899, iii. 245. See, too, for Joachim Murat (born 1771), proclaimed King of Naples and the Two Sicilies, August, 1808, ibid., note 1.]
[326] {434} ["Write, Britain, write the moral lesson down." Scott's Field of Waterloo, Conclusion, stanza vi. line 3.]
[327] {435} ["Talking of politics, as Caleb Quotem says, pray look at the conclusion of my 'Ode on Waterloo,' written in the year 1815, and comparing it with the Duke de Berri's catastrophe in 1820, tell me if I have not as good a right to the character of 'Vates,' in both senses of the word, as Fitzgerald and Coleridge?—
'Crimson tears will follow yet;'
and have not they?"—Letter to Murray, April 24, 1820.
In the Preface to The Tyrant's Downfall, etc., 1814, W. L. Fitzgerald (see English Bards, etc., line 1, Poetical Works, 1898, i. 297, note 3) "begs leave to refer his reader to the dates of his Napoleonics ... to prove his legitimate title to the prophetical meaning of Vates" (Cent. Mag., July, 1814, vol. lxxxiv. p. 58). Coleridge claimed to have foretold the restoration of the Bourbons (see Biographia Literaria, cap. x.).]
[328] {436} ["The Friend who favoured us with the following lines, the poetical spirit of which wants no trumpet of ours, is aware that they imply more than an impartial observer of the late period might feel, and are written rather as by Frenchman than Englishman;—but certainly, neither he nor any lover of liberty can help feeling and regretting that in the latter time, at any rate, the symbol he speaks of was once more comparatively identified with the cause of Freedom."—Examiner. April 7, 1816.]
[329] {437} The tricolor.