I like on Autumn evenings to ride out,
Without being forced to bid my groom be sure
My cloak is round his middle strapped about,
Because the skies are not the most secure;
I know too that, if stopped upon my route,
Where the green alleys windingly allure,
Reeling with grapes red wagons choke the way,—
In England 'twould be dung, dust, or a dray.
XLIII.
I also like to dine on becaficas,
To see the Sun set, sure he'll rise to-morrow,
Not through a misty morning twinkling weak as
A drunken man's dead eye in maudlin sorrow,
But with all Heaven t'himself; the day will break as
Beauteous as cloudless, nor be forced to borrow
That sort of farthing candlelight which glimmers
Where reeking London's smoky cauldron simmers.
XLIV.
I love the language, that soft bastard Latin,[215]
Which melts like kisses from a female mouth,
And sounds as if it should be writ on satin,[216]
With syllables which breathe of the sweet South,
And gentle liquids gliding all so pat in,
That not a single accent seems uncouth,
Like our harsh northern whistling, grunting guttural,
Which we're obliged to hiss, and spit, and sputter all.
XLV.
I like the women too (forgive my folly!),
From the rich peasant cheek of ruddy bronze,[bl]
And large black eyes that flash on you a volley
Of rays that say a thousand things at once,
To the high Dama's brow, more melancholy,
But clear, and with a wild and liquid glance,
Heart on her lips, and soul within her eyes,
Soft as her clime, and sunny as her skies.[bm]
XLVI.
Eve of the land which still is Paradise!
Italian Beauty didst thou not inspire
Raphael,[217] who died in thy embrace, and vies
With all we know of Heaven, or can desire,
In what he hath bequeathed us?—in what guise,
Though flashing from the fervour of the Lyre,
Would words describe thy past and present glow,
While yet Canova[218] can create below?[219]