We approached by the general entrance, Poet's Corner. I hardly stopped to look at the elaborate exterior of Henry VIIth's Chapel, but passed on to the door. On entering, the first thing that met my eyes were the words, "OH RARE BEN JONSON," under his bust. Near by stood the monuments of Spenser and Gay, and a few paces further looked down the sublime countenance of Milton. Never was a spot so full of intense interest. The light was just dim enough to give it a solemn, religious appearance, making the marble forms of poets and philosophers so shadowy and impressive, that I felt as if standing in their living presence. Every step called up some mind linked with the associations of my childhood. There was the gentle feminine countenance of Thompson, and the majestic head of Dryden; Addison with his classic features, and Gray, full of the fire of lofty thought. In another chamber, I paused long before the ashes of Shakspeare; and while looking at the monument of Garrick, started to find that I stood upon his grave. What a glorious galaxy of genius is here collected—what a constellation of stars whose light is immortal! The mind is completely fettered by their spirit. Everything is forgotten but the mighty dead, who still "rule us from their urns."
The Chapel of Henry VII., which we next entered, is one of the most elaborate specimens of Gothic workmanship in the world. If the first idea of the Gothic arch sprung from observing the forms of trees, this chapel must resemble the first conceptions of that order, for the fluted columns rise up like tall trees, branching out at the top into spreading capitals covered with leaves, and supporting arches of the ceiling resembling a leafy roof.
The side-chapels are filled with tombs of knightly families, the husband and wife lying on their backs on the tombs, with their hands clasped, while their children, about the size of dolls, are kneeling around. Numberless are the Barons and Earls and Dukes, whose grim effigies stare from their tombs. In opposite chapels are the tombs of Mary and Elizabeth, and near the former that of Darnley. After having visited many of the scenes of her life, it was with no ordinary emotion that I stood by the sepulchre of Mary. How differently one looks upon it and upon that of the proud Elizabeth!
We descended to the Chapel of Edward the Confessor, within the splendid shrine of which repose his ashes. Here we were shown the chair on which the English monarchs have been crowned for several hundred years, Under the seat is the stone, brought from the Abbey of Scone, whereon the Kings of Scotland were crowned. The chair is of oak, carved and hacked over with names, and on the bottom some one has recorded his name with the fact that, he once slept in it. We sat down and rested in it without ceremony. Passing along an aisle leading to the grand hall, we saw the tomb of Aymer de Valence, a knight of the Crusades. Near here is the hall where the Knights of the order of Bath met. Over each seat their dusty banners are still hanging, each with its crest, and their armor is rusting upon the wall. It seemed like a banqueting hall of the olden time, where the knights had left their seats for a moment vacant. Entering the nave, we were lost in the wilderness of sculpture. Here stood the forms of Pitt, Fox, Burke, Sheridan and Watts, from the chisels of Chantry, Bacon and Westmacott. Further down were Sir Isaac Newton and Sir Godfrey Kneller—opposite Andre, and Paoli, the Italian, who died here in exile. How can I convey an idea of the scene? Notwithstanding all the descriptions I had read, I was totally unprepared for the reality, nor could I have anticipated the hushed and breathless interest with which I paced the dim aisles, gazing, at every step, on the last resting place of some great and familiar name. A place so sacred to all who inherit the English tongue, is worthy of a special pilgrimage across the deep. To those who are unable to visit it, a description may be interesting; but so far does it fall short of the scene itself, that if I thought it would induce a few of our wealthy idlers, or even those who, like myself, must travel with toil and privation to come hither, I would write till the pen dropped from my hand.
More than twenty grand halls of the British Museum are devoted to antiquities, and include the Elgin Marbles—the spoils of the Parthenon—the Fellows Marbles, brought from the ancient city of Xanthus, and Sir William Hamilton's collection of Italian antiquities. It was painful to see the friezes of the Parthenon, broken and defaced as they are, in such a place. Rather let them moulder to dust on the ruin from which they were torn, shining through the blue veil of the Grecian atmosphere, from the summit of the Acropolis!
The National Gallery, on Trafalgar Square, is open four days in the week, to the public. The "Raising of Lazarus," by Sebastian del Piombo, is considered the gem of the collection, but my unschooled eyes could not view it as such. It is also remarkable for having been transferred from wood to canvass, without injury. This delicate operation was accomplished by gluing the panel on which it was painted, flat on a smooth table, and planing the wood gradually away till the coat of hardened paint alone remained. A proper canvass was then prepared, covered with a strong cement, and laid on the back of the picture, which adhered firmly to it. The owner's nerves must have had a severe trial, if he had courage to watch the operation. I was enraptured with Murillo's pictures of St. John and the Holy Family. St. John is represented as a boy in the woods, fondling a lamb. It is a glorious head. The dark curls cluster around his fair brow, and his eyes seem already glowing with the fire of future inspiration. There is an innocence, a childish sweetness of expression in the countenance, which makes one love to gaze upon it. Both of these paintings wore constantly surrounded by ladies, and they certainly deserved the preference. In the rooms devoted to English artists, there are many of the finest works of West, Reynolds, Hogarth and Wilkie.
We spent a day in visiting the lungs of London, as the two grand parks have been called. From the Strand through the Regent Circus, the centre of the fashionable part of the city, we passed to Piccadilly, culling on our way to see our old friends, the Iowas. They were at the Egyptian Hall, in connexion with Catlin's Indian collection. The old braves knew us at once, particularly Blister Feet, who used often to walk a linweon deck with me, at sea. Further along Piccadilly is Wellington's mansion of Apsley House, and nearly opposite it, in the corner of Hyde Park, stands the colossal statue of Achilles, cast from cannon taken at Salamanca and Vittoria. The Park resembles an open common, with here and there a grove of trees, intersected by carriage roads, it is like getting into the country again to be out on its broad, green field, with the city seen dimly around through the smoky atmosphere. We walked for a mile or two along the shady avenues and over the lawns, having a view of the princely terraces and gardens on one hand, and the gentle outline of Primrose Hill on the other. Regent's Park itself covers a space of nearly four hundred acres!
But if London is unsurpassed in splendor, it has also its corresponding share of crime. Notwithstanding the large and efficient body of police, who do much towards the control of vice, one sees enough of degradation and brutality in a short time, to make his heart sick. Even the public thorough fares are thronged at night with characters of the lowest description, and it is not expedient to go through many of the narrow bye-haunts of the old city in the day-time. The police, who are ever on the watch, immediately seize and carry off any offender, but from the statements of persons who have had an opportunity of observing, as well as from my own slight experience, I am convinced that there is an untold amount of misery and crime. London is one of the wonders of the world, but there is reason to believe it is one of the curses of the world also; though, in fact, nothing but an active and unceasing philanthropy can prevent any city from becoming so.
Aug. 22.—I have now been six days in London, and by making good use of my feet and eyes, have managed to become familiar with almost every object of interest within its precincts. Having a plan mapped out for the day, I started from my humble lodgings at the Aldgate Coffee House, where I slept off fatigue for a shilling a night, and walked up Cheapside or down Whitechapel, as the case might be, hunting out my way to churches, halls and theatres. In this way, at a trifling expense, I have perhaps seen as much as many who spend here double the time and ten times the money. Our whole tour from Liverpool hither, by way of Ireland and Scotland, cost us but twenty-five dollars each! although, except in one or two cases, we denied ourselves no necessary comfort. This shows that the glorious privilege of looking on the scenes of the old world need not be confined to people of wealth and leisure. It may be enjoyed by all who can occasionally forego a little bodily comfort for the sake of mental and spiritual gain. We leave this afternoon for Dover. Tomorrow I shall dine in Belgium!