MR. WINKELBERG

There was never a man as irritating as Winkelberg. He was an encyclopedia of misfortune. Everything which can happen to a man had happened to him. He had lost his family, his money and his health. He was, in short, a man completely broken—tall, thin, with a cadaverous face, out of which shone two huge, lusterless eyes. He walked with an angular crawl that reminded one of the emaciated flies one sees at the beginning of winter dragging themselves perversely along as if struggling across an illimitable expanse of flypaper.

It was one of Winkelberg's worst habits to appear at unexpected moments. But perhaps any appearances poor Winkelberg might have made would have had this irritating quality of unexpectedness. One was never looking forward to Winkelberg, and thus the sight of his wan, determined smile, his lusterless eyes and his tenacious crawl was invariably an uncomfortable surprise.

* * * * *

I will be frank. It was Winkelberg's misfortune which first attracted me. I listened to his story avidly. He talked in slow words and there was intelligence in the man. He was able to perceive himself not only as a pain-racked, starving human, but he glimpsed with his large, tired eyes his relation to things outside himself. I remember he said, and without emotion: "There is nobody to blame. Not even myself. And if I cannot blame myself how can I blame the world? The city is like that. I am no good. I am done. Something worn out and useless. People try to take care of the useless ones and they would like to. There are institutions. I was kicked out of two of them. They said I was a faker. Somehow I don't appeal to charitably inclined people."

Later I understood why. It was because of the man's smile—a feeble, tenacious grimace that seemed to be offering a sardonic reproof. It could never have been mistaken for a courageous smile. The secret of its aggravating quality was this: In it Winkelberg accused himself of his uselessness, his feebleness, his poverty. It was as if he were regarding himself continually through the annoyed eyes of others and addressing himself with the words of others: "You, Winkelberg, get out of here. You're a nuisance. You make me uncomfortable because you're poor and diseased and full of gloom. Get out. I don't want you around. Why the devil don't you die?"

And the aggravating thing was that people looked at Winkelberg's smile as into a mirror. They saw in it a reflection of their own attitude toward the man. They felt that Winkelberg understood what they thought of him. And they didn't like that. They didn't like to feel that Winkelberg was aware that deep inside their minds they were always asking: "Why doesn't this Winkelberg die and have it over with?" Because that made them out as cruel, heartless people, not much different in their attitude toward their fellow men from predatory animals in their attitude toward fellow predatory animals. And somehow, although they really felt that way toward Winkelberg, they preferred not to believe it. But Winkelberg's smile was a mirror which would not let them escape this truth. And eventually Winkelberg's smile became for them one of those curious mirrors which exaggerate images grotesquely. Charitably inclined people, as well as all other kinds of inclined people, prefer their Winkelbergs more egoistic. They prefer that unfortunate ones be engrossed in their misfortunes and not go around wearing sardonic, philosophical smiles.

* * * * *

Winkelberg dragged along for a year. He was past fifty. Each time I saw him I was certain I would never see him again. I was certain he would die—drop dead while crawling across his flypaper. But he would appear. I would pretend to be vastly busy. He would sit and wait. He never asked alms. I would have been relieved if he had. Instead he sat and smiled, and his smile said: "You are afraid I am going to ask you for money. Don't worry. I won't ask you for money. I won't bother you at all. Yes, I agree with you, I ought to be dead. It would be better for everybody."

We would talk little. He would throw out a hint now and then that perhaps I could use some of his misfortunes for material. For instance, the time his two children had been burned to death. Or the time he had fallen off the street car while in a sick daze and injured his spine for life, and how he had settled with the street car company for $500 and how he had been robbed on the way to the bank with the money two weeks later.