"Yet I would not doubt thee; thy every look makes life a dream of love."
The player then made excuses for her seeming enthusiasm, by declaring that even inanimate matter is moved by his soul-stirring strains.
"Every flower and every tendril is moved by thee, for, like thee, they are fresh and gently gay."…
This led eventually to a "choice" meeting, and the marriage was attended with many interesting incidents. Their history would of itself form a curious romance!
Every one competent is educated in the meaning of the harp-sounds, and the instruction in this branch of study commences at an early age. Certain sentences are written, and a sound is given out and repeated till the young person thoroughly understands what he has heard. Then the sentence is renewed, perhaps, in connection with another sentence, the accompanying sound is given, and in a short time the student says the word or sentence accompanying every sound, and thus he soon learns how to use these sounds, and how to vary and combine them, just as an alphabet or series of words would be used by an able writer.
When the instrument is used as a subsidiary agent, and the player accompanies his own or another's voice with words, he plays an accompaniment implying words, but not so as to attract attention from the singer. There are certain accompaniments which are adapted to anything that might be sung. These, however, the player can vary, if his talent is sufficient.
Our songs are generally spontaneous effusions, but there are songs with which certain words are permanently associated.
The harp itself is beautiful as a work of sculptural art. Around its framework most elegant and tasteful ornaments are executed with the minutest perfection—small birds of variegated plumage perched on graceful foliage of green enamel, with flowers in their natural colours, so executed as closely to resemble nature. The birds, flowers, and foliage are connected with the chords of the harp, and conceal from view small vases or reservoirs set in the framework of the instrument. From these with every touch of the chords a beautiful fragrance is exhaled, the force or delicacy of which depends on the more powerful or gentler strains produced from the instruments.
The instant the player strikes the chords, the little birds open their wings, the flowers quiver in gentle action, and then from the vases are thrown off jets of perfume. The more strongly the chords are touched, the more powerfully does the fragrance play around.
In tender passages the perfume gradually dies away, till it becomes so faint as to be appreciated only by the most delicate organisations. The result, however, is, that the sense is gratified, the heart touched, and the whole soul elevated. I have seen the most ardent natures calmed and rendered gentle by the divine strains of this angelic instrument.