There was no shaking him off, so I followed him down to his car and we drove to this sleazy little bar in the Negro part of town. As soon as we sat down in a booth, Len borrowed all the nickels I had, put them in the jukebox and pressed the levers for a lot of old Louie Armstrong records.
"Sorry, kid," he said. "I know how you hate this real jazzy stuff, but can't have a reunion without music, and there isn't a polka or cowboy ballad or hillbilly stomp in the box. They lack the folksy touch on this side of the tracks." Len has always been very snobbish about my interest in folk music.
I asked him what he'd been doing during the day.
"Lushing it up," he said. "Getting stinking from drinking." He still likes to use the most flamboyant slang; I consider it an infantile form of protest against what he regards as the "genteel" manner of academic people. "I got sort of restless this morning, so I ducked out and beat it into New York and looked up my friend Steve Lundy in the Village. Spent the afternoon liquidating our joint assets. Liquidating our assets in the joints."
What, I wanted to know, was he feeling restless about?
"Restless for going on three years now." His face grew solemn, as though he were thinking it over very carefully. "I'll amend that statement. Hell with the Aesopian language. I've been a plain lush for going on three years. Ever since—"
If it was something personal—I suggested.
"It is not something personal," he said, mimicking me. "Guess I can tell an old cyberneticist pal about it. Been a lush for three years because I've been scared for three years. Been scared for three years because three years ago I saw a machine beat a man at a game of chess."
A machine that plays chess? That was interesting, I said.
"Didn't tell you the whole truth the other day," Len mumbled. "I did work on the Remington-Rand computer, sure, but I didn't come to IFACS directly from that. In between I spent a couple years at the Bell Telephone Labs. Claude Shannon—or, rather, to begin with there was Norbert Wiener back at M.I.T.—it's complicated...."