IV.—“BOGWAH.”
We have been paddling for more than an hour, through dark and slowly moving water. Two or three hundred yards has been the limit of the view ahead, as the stream swerves gracefully from the slightest rise of land, and flows now east, now north, now east, now south again. So long a stretch of navigable water is not common on the Delectable River, and we make the most of it, moving leisurely, and prisoning the everchanging picture with the imperfect camera of the eyes. Presently a too-familiar sound is heard above the dipping of the paddles, and the Indian at the stern announces, “Bogwah!”—which word in the tongue of the Chippewa signifies a shallow. And as we round the next bend we see the swifter water, the rocks in midstream, and the gently slanting line of treetops.
“Bogwah” spells work—dragging canoes over sandy and pebbly river-bottom, or unloading and carrying around the foam of perilous rapids. For compensation there is the pleasure of splashing ankle-deep and deeper in the cool current, and [p 74] />]casting for trout in the “laughing shallow,” which I much prefer to the “dreaming pool.” They who choose it may fish from boat or ledge: for me, to wade and cast is the poetry of angling.
Assured that the “bogwah” before us extends for half a mile or more, we decide for luncheon, and the canoes are beached on an island, submerged in springtime, but at low water a heap of yellow sands. And I wish I might reconstruct for you the picture which memory too faintly outlines. Mere words will not do it, and yet one is impelled to try. “All literature,” says Mr. Arnold Bennett, in one of his stimulating essays, “is the expression of feeling, of passion, of emotion, caused by a sensation of the interestingness of life. What drives a historian to write history? Nothing but the overwhelming impression forced upon him by the survey of past times. He is forced into an attempt to reconstitute the picture for others.”
And so you are to imagine a marshy, brushy open, circular in shape, from which the hills and forest recede for a considerable distance, and into which a lazy brook comes to merge with the Delectable River; a place to which the moose travel in great numbers, as hoofmarks and cropped vegetation bear witness; a wild place, that must be wonderful in mist and moonlight. Now it is drenched with sunrays from a vaporless sky, and [p 75] />]the white-throat is singing all around us—not the usual three sets of three notes, but seven triplets. Elsewhere on the River, days apart, I heard that prolonged melody, and although I have looked in the bird books for record of so sustained a song, I have not found it.
V.—FINE FEATHERS.
There is a certain school of anglers that go about the business of fishing with much gravity. You should hear the Great Neal discourse of their profundities. Lacking that privilege, you may conceive a pair of these anglers met beside a river, seeking to discover which of the many insects flying about is preferred by the trout on that particular morning. There is disagreement, or there is lack of evidence. It is decided to catch a trout, eviscerate him, and obtain internal and indisputable evidence. For the cast any fly is used, and when the trout is opened it is learned that he has been feeding on a small black insect; whereupon our anglers tie a number of flies to resemble that insect, and proceed solemnly with their day’s work. Though the trout scorn their fine feathers, they will not fish with any fly.
With the subtleties of this school I have no sympathy. They might be of profit on waters that are much fished, but they are wasted on the [p 76] />]wilderness, where the trout will rise to almost any lure. When I make an expedition I take along two or three dozen flies, for the mere pleasure of looking at them, and rearranging them in the fly-book; but I wet less than half a dozen. On the Delectable River we cast only when trout are needed for the frypan. You are to picture canoes drawn up on a sandbar, and a ribbon of black smoke curling from a strip of birch bark that marks the beginning of a fire. It is time to get the fish. So I set up my rod and walk upstream perhaps a hundred yards, casting on the current where it cuts under the farther bank. Almost every cast evokes a trout; this one takes the tail fly, a Silver Doctor, the next one strikes the Bucktail dropper; any other flies would serve. The largest fish is taken on my return, from under the stern of one of the canoes. Where trout are so plentiful and so unwary, there is no call for the preparatory work of the evisceration school of anglers.
My reason for using a dropper fly is not to offer the trout two counterfeit insects differing in shape or color; as commonly attached to the leader, the dropper swims with the tail fly. “Sir,” said the Great Neal, in the manner of Samuel Johnson, “when the dropper is properly attached, as I attach it, two aspects of the lure are presented to the fish, the one fly moving [p 77] />]through the water, the other dancing an inch or so above. This, Sir, is how I tie it.”
And sitting at the Oracle’s feet, ye learn “all ye need to know.”