Crescence was overflowing with happiness, and forgot all about the geometer. None--not even George--could dance like Florian: he clapped his feet together at every bar of the music, so that all eyes were directed to his glistening boots. Sometimes, in the middle of the dance, he would cry, "Sing out!" Not his feet, but all his body and soul, rose and sunk in accordance with the music: he was a dancer all over. He would not stand still for an instant; and, when the musicians stopped to rest a while, he said to the clarionet, "Make your old bones rattle." "Pour something in to make it swell," was the answer. Florian threw six creutzers on the table.
Late at night the "barber's dance" was executed, in which Florian appeared in all his glory. A man was brought in, looking as white as milk, with a hump before and behind, and bandaged from head to foot with white sheets and kerchiefs. You would hardly have recognised the College Chap. The band played the air of the song,--
"Oh, my! I feel so bad!
Bring me the barber's lad."
A chair was placed in the middle of the room, and the patient deposited upon it. The expected man of simples came, hung round about with knives, with a huge pinch nose, and a wig of tow. It was Florian who thus entered, amid roars of laughter.
With comical gestures, he skipped around the patient, opened the bandage on his arm, bled him, and finally stuck a knife into the hump and left it there. The sick man fell dead, and a funeral-march was played. The unlucky surgeon rushed around the room in an agony of despair, pulled his wig out by handfuls, and threw them into the faces of the company. The music died away. At last, laying his hand upon his forehead, he collected his scattered wits, and cried, "Music!" Notes of mourning responded. He knelt down beside the dead man, opened his mouth, and drew out yards on yards of white tape, but without producing any relief. Then, taking a quart-tumbler, he filled it to the brim with wine, placed it on his forehead, and lay down on his back beside the sick man, moving in time to the music. All held their breath in expectation of a crash; but the feat was successfully performed. The entire contents of the glass were now poured down the patient's throat. He struck about him and threw off his disguise. Florian did the same: the band struck up a gallop: the old squire's Babbett ran up and danced with Constantine, Crescence and Florian followed suit, and all were once more in motion. The fictitious misfortunes with which they had amused themselves gave an additional zest to the return of pleasure.
Some hours later, when they were all seated at table, drinking and singing, Florian favored the company with a new song which he had picked up on his travels:--
"In Strasbourg on the rampart,
She loved me much indeed:
She always brought my breakfast