"Do thy cheeks with gladness tingle
Where the snows and scarlet mingle?"--
Aloys suddenly rose: he seemed taller than usual; he clenched his fists and gnashed his teeth with secret joy. He seemed to draw Mary Ann toward him with his looks, and to see her for the first time as she truly was; for, just as the song ran, so she looked.
The girls sat around in a ring, each having her distaff with the gilt top before her, to which the hemp was fastened with a colored ribbon; they moistened the thread with their lips, and twirled the spindle, which tumbled merrily on the floor. Aloys was always glad to put "a little moistening," in the shape of some pears or apples, on the table, and never failed to put the plate near Mary Ann, so that she might help herself freely.
Early in the winter Aloys took his first courageous step in right of his adolescence. Mary Ann had received a fine new distaff set with pewter. The first time she brought it into the spinning-room and sat down to her work, Aloys came forward, took hold of it, and repeated the old rhyme:--
"Good lassie, give me leave,
Let me shake your luck out of this sleeve;
Great goodhap and little goodhap
Into my lassie's lap.
Lassie, why are you so rude?
Your distaff is only of wood;
If it had silver or gold on't,
I'd have made a better rhyme on't."
His voice trembled a little, but he got through without stammering. Mary Ann first cast her eyes down with shame and fear lest he should "balk;" but now she looked at him with beaming eyes. According to custom, she dropped the spindle and the whirl,[3] which Aloys picked up, and exacted for the spindle the promise of a dumpling, and for the whirl that of a doughnut. But the best came last. Aloys released the distaff and received as ransom a hearty kiss. He smacked so loud that it sounded all over the room, and the other boys envied him sorely. He sat down quietly in a corner, rubbed his hands, and was contented with himself and with the world. And so he might have remained to the end of time, if that marplot of a George had not interfered again.
Mary Ann was the first voice in the church-choir. One evening George asked her to sing the song of the "Dark-Brown Maid." She began without much hesitation, and George fell in with the second voice so finely and sonorously that all the others who had joined in also lapsed into silence one by one, and contented themselves with listening to the two who sang so well. Mary Ann, finding herself unsupported by her companions, found her voice trembling a little, and nudged her companions to go on singing; but, as they would not, she took courage, and sang with much spirit, while George seemed to uphold her as with strong arms. They sang:--
"Oh, to-morrow I must leave you,
My belovéd dark-brown maid:
Out at the upper gate we travel,