It is a strange sight that of a large, sleeping kraal—or a number of them, in the wizard hush and calm beauty of an African night. It is so in harmony with setting and surrounding; the starlight showing up the ghostly loom of mountain, or suggesting the weird mystery of dark wilderness lying beneath, where deadly things creep and lurk. And then, these human habitations, themselves constructed of the grass which springs up around them, of the very thorns which impede the progress of their denizens, they stand, in primitive symmetry—not rude, because that which is circular is nothing if not symmetrical—lying there in their pathetic insignificance under the vast height of Heaven’s vault. And the said denizens sleeping there! Hopes and fears, virtues and vices; capacity for intrigue, cupidity; redeeming traits, human weaknesses—all the same, whether sleeping within the kraal of the savage to the lullaby of the voices of prowling creatures of the night, or in stately mansion amid the roar and rattle of the metropolis of the world. All the same—all, all!
The air is fresh and sweet with the fragrance of flowering shrubs, is faintly melodious with the ghostly whistle of circling plover invisible overhead. The cry of a jackal rings out from the hillside, receding further and further, to be answered again from another point in the misty gloom—then the bark of a restless dog in some slumbering kraal beneath. Or the hoot of a night bird hawking above the silent expanse, and the droning boom of a great beetle mingling with the shrill, whistling voice of tree frogs. Man is silent, but Nature never.
Along the ridge overlooking Babatyana’s kraals a dusty waggon road winds like a riband, distinguishable from the darker veldt in the starlight. It follows the apex of the ridge, and is just the place to avoid during those dry thunder-storms which in Natal seem to hunt in couples nearly every day during the hot months. Then the wayfarer may well leave the highway, and dive down into one of the bushy kloofs on either side, and wait until the turmoil passes; for the lightning will strike down upon that high, exposed pathway, every sheeting flash not much less dangerous than a shell from hostile artillery.
To-night, however, the elements are at peace, but man is represented by a single unit.
Natives, as a rule, are not given to wandering about alone at night, but this one is obviously here with a purpose. Like a statue he stands, gazing down the road as though on the look-out for something or somebody. He is a tall man, and ringed: and as he wraps his blanket closer around him—for there is a tinge of chill in the night air—and takes a few paces, it might be seen that he walks with a slight limp.
Another hour goes by, and still he stands, ever watchful, and suffering nothing to escape him, for the patience of the savage is inexhaustible. And now a glow suffuses the far horizon, widening and brightening; then the broad disc of a full moon soars redly aloft, and lo, the land is steeped in subdued unearthly light—plain, and ridge, and distant mountain, all stand revealed; and the clusters of domed huts in the broad valley beneath show out sharply defined. But these are no longer silent. First a low, long-drawn wail, then another and another from different points, culminating in still more drawn out howls, and the dismal sounds echo through the silence in weird cadence. Half the curs in the slumbering kraals are baying the newly risen moon.
Her light falls full upon the watcher, throwing out his tall form into statuesque relief, and glinting on the polished shine of his head-ring. But for the limp his gait as he slowly paces up and down would be a stately one. Even then there is an unconscious dignity about the man, as with head held proudly aloft, he gazes out over the moonlit expanse, and it is the dignity of a natural ruler of men.
Suddenly he stops short in his walk, and stands, listening intently. You or I could have heard nothing, but he can, and what he hears is the sound of hoof-strokes.
Down the road now he takes his way, walking rapidly, and soon the hoof-strokes draw very near indeed. Then he stops, and starts singing to himself in a low, melodious croon.