It seems probable that there is something in this definition, but it is not quite satisfactory, because empirically there is no such limit to be obtained from sense-data. The definition will have to be eked out by constructions and definitions. But probably it suggests the right direction in which to look.
We are now in a position to understand in outline the reverse journey from matter to sense-data which is performed by physics. The appearance of a thing in a given perspective is a function of the matter composing the thing and of the intervening matter. The appearance of a thing is altered by intervening smoke or mist, by blue spectacles or by alterations in the sense-organs or nerves of the percipient (which also must be reckoned as part of the intervening medium). The nearer we approach to the thing, the less its appearance is affected by the intervening matter. As we travel further and further from the thing, its appearances diverge more and more from their initial character; and the causal laws of their divergence are to be stated in terms of the matter which lies between them and the thing. Since the appearances at very small distances are less affected by causes other than the thing itself, we come to think that the limit towards which these appearances tend as the distance diminishes is what the thing "really is," as opposed to what it merely seems to be. This, together with its necessity for the statement of causal laws, seems to be the source of the entirely erroneous feeling that matter is more "real" than sense-data.
Consider for example the infinite divisibility of matter. In looking at a given thing and approaching it, one sense-datum will become several, and each of these will again divide. Thus one appearance may represent many things, and to this process there seems no end. Hence in the limit, when we approach indefinitely near to the thing there will be an indefinite number of units of matter corresponding to what, at a finite distance, is only one appearance. This is how infinite divisibility arises.
The whole causal efficacy of a thing resides in its matter. This is in some sense an empirical fact, but it would be hard to state it precisely, because "causal efficacy" is difficult to define.
What can be known empirically about the matter of a thing is only approximate, because we cannot get to know the appearances of the thing from very small distances, and cannot accurately infer the limit of these appearances. But it is inferred approximately by means of the appearances we can observe. It then turns out that these appearances can be exhibited by physics as a function of the matter in our immediate neighbourhood; e.g. the visual appearance of a distant object is a function of the light-waves that reach the eyes. This leads to confusions of thought, but offers no real difficulty.
One appearance, of a visible object for example, is not sufficient to determine its other simultaneous appearances, although it goes a certain distance towards determining them. The determination of the hidden structure of a thing, so far as it is possible at all, can only be effected by means of elaborate dynamical inferences.
X. TIME[30]
It seems that the one all-embracing time is a construction, like the one all-embracing space. Physics itself has become conscious of this fact through the discussions connected with relativity.
Between two perspectives which both belong to one person's experience, there will be a direct time-relation of before and after. This suggests a way of dividing history in the same sort of way as it is divided by different experiences, but without introducing experience or anything mental: we may define a "biography" as everything that is (directly) earlier or later than, or simultaneous with, a given "sensibile." This will give a series of perspectives, which might all form parts of one person's experience, though it is not necessary that all or any of them should actually do so. By this means, the history of the world is divided into a number of mutually exclusive biographies.
We have now to correlate the times in the different biographies. The natural thing would be to say that the appearances of a given (momentary) thing in two different perspectives belonging to different biographies are to be taken as simultaneous; but this is not convenient. Suppose A shouts to B, and B replies as soon as he hears A's shout. Then between A's hearing of his own shout and his hearing of B's there is an interval; thus if we made A's and B's hearing of the same shout exactly simultaneous with each other, we should have events exactly simultaneous with a given event but not with each other. To obviate this, we assume a "velocity of sound." That is, we assume that the time when B hears A's shout is half-way between the time when A hears his own shout and the time when he hears B's. In this way the correlation is effected.