The space whose construction has just been explained, and whose elements are whole perspectives, will be called "perspective-space."

VIII. THE PLACING OF "THINGS" AND "SENSIBILIA" IN PERSPECTIVE SPACE

The world which we have so far constructed is a world of six dimensions, since it is a three-dimensional series of perspectives, each of which is itself three-dimensional. We have now to explain the correlation between the perspective space and the various private spaces contained within the various perspectives severally. It is by means of this correlation that the one three-dimensional space of physics is constructed; and it is because of the unconscious performance of this correlation that the distinction between perspective space and the percipient's private space has been blurred, with disastrous results for the philosophy of physics. Let us revert to our penny: the perspectives in which the penny appears larger are regarded as being nearer to the penny than those in which it appears smaller, but as far as experience goes the apparent size of the penny will not grow beyond a certain limit, namely, that where (as we say) the penny is so near the eye that if it were any nearer it could not be seen. By touch we may prolong the series until the penny touches the eye, but no further. If we have been travelling along a line of perspectives in the previously defined sense, we may, however, by imagining the penny removed, prolong the line of perspectives by means, say, of another penny; and the same may be done with any other line of perspectives defined by means of the penny. All these lines meet in a certain place, that is, in a certain perspective. This perspective will be defined as "the place where the penny is."

It is now evident in what sense two places in constructed physical space are associated with a given "sensibile." There is first the place which is the perspective of which the "sensibile" is a member. This is the place from which the "sensibile" appears. Secondly there is the place where the thing is of which the "sensibile" is a member, in other words an appearance; this is the place at which the "sensibile" appears. The "sensibile" which is a member of one perspective is correlated with another perspective, namely, that which is the place where the thing is of which the "sensibile" is an appearance. To the psychologist the "place from which" is the more interesting, and the "sensibile" accordingly appears to him subjective and where the percipient is. To the physicist the "place at which" is the more interesting, and the "sensibile" accordingly appears to him physical and external. The causes, limits and partial justification of each of these two apparently incompatible views are evident from the above duplicity of places associated with a given "sensibile."

We have seen that we can assign to a physical thing a place in the perspective space. In this way different parts of our body acquire positions in perspective space, and therefore there is a meaning (whether true or false need not much concern us) in saying that the perspective to which our sense-data belong is inside our head. Since our mind is correlated with the perspective to which our sense-data belong, we may regard this perspective as being the position of our mind in perspective space. If, therefore, this perspective is, in the above defined sense, inside our head, there is a good meaning for the statement that the mind is in the head. We can now say of the various appearances of a given thing that some of them are nearer to the thing than others; those are nearer which belong to perspectives that are nearer to "the place where the thing is." We can thus find a meaning, true or false, for the statement that more is to be learnt about a thing by examining it close to than by viewing it from a distance. We can also find a meaning for the phrase "the things which intervene between the subject and a thing of which an appearance is a datum to him." One reason often alleged for the subjectivity of sense-data is that the appearance of a thing may change when we find it hard to suppose that the thing itself has changed—for example, when the change is due to our shutting our eyes, or to our screwing them up so as to make the thing look double. If the thing is defined as the class of its appearances (which is the definition adopted above), there is of course necessarily some change in the thing whenever any one of its appearances changes. Nevertheless there is a very important distinction between two different ways in which the appearances may change. If after looking at a thing I shut my eyes, the appearance of my eyes changes in every perspective in which there is such an appearance, whereas most of the appearances of the thing will remain unchanged. We may say, as a matter of definition, that a thing changes when, however near to the thing an appearance of it may be, there are changes in appearances as near as, or still nearer to, the thing. On the other hand we shall say that the change is in some other thing if all appearances of the thing which are at not more than a certain distance from the thing remain unchanged, while only comparatively distant appearances of the thing are altered. From this consideration we are naturally led to the consideration of matter, which must be our next topic.

IX. THE DEFINITION OF MATTER

We defined the "physical thing" as the class of its appearances, but this can hardly be taken as a definition of matter. We want to be able to express the fact that the appearance of a thing in a given perspective is causally affected by the matter between the thing and the perspective. We have found a meaning for "between a thing and a perspective." But we want matter to be something other than the whole class of appearances of a thing, in order to state the influence of matter on appearances.

We commonly assume that the information we get about a thing is more accurate when the thing is nearer. Far off, we see it is a man; then we see it is Jones; then we see he is smiling. Complete accuracy would only be attainable as a limit: if the appearances of Jones as we approach him tend towards a limit, that limit may be taken to be what Jones really is. It is obvious that from the point of view of physics the appearances of a thing close to "count" more than the appearances far off. We may therefore set up the following tentative definition:

The matter of a given thing is the limit of its appearances as their distance from the thing diminishes.