This is the view of William James, Professor Dewey, and the American realists. Perceptions, says Professor Dewey, are not per se cases of knowledge, but simply natural events with no more knowledge status than (say) a shower. "Let them [the realists] try the experiment of conceiving perceptions as pure natural events, not cases of awareness or apprehension, and they will be surprised to see how little they miss."* I think he is right in this, except in supposing that the realists will be surprised. Many of them already hold the view he is advocating, and others are very sympathetic to it. At any rate, it is the view which I shall adopt in these lectures.
* Dewey, "Essays in Experimental Logic," pp. 253, 262.
The stuff of the world, so far as we have experience of it, consists, on the view that I am advocating, of innumerable transient particulars such as occur in seeing, hearing, etc., together with images more or less resembling these, of which I shall speak shortly. If physics is true, there are, besides the particulars that we experience, others, probably equally (or almost equally) transient, which make up that part of the material world that does not come into the sort of contact with a living body that is required to turn it into a sensation. But this topic belongs to the philosophy of physics, and need not concern us in our present inquiry.
Sensations are what is common to the mental and physical worlds; they may be defined as the intersection of mind and matter. This is by no means a new view; it is advocated, not only by the American authors I have mentioned, but by Mach in his Analysis of Sensations, which was published in 1886. The essence of sensation, according to the view I am advocating, is its independence of past experience. It is a core in our actual experiences, never existing in isolation except possibly in very young infants. It is not itself knowledge, but it supplies the data for our knowledge of the physical world, including our own bodies.
There are some who believe that our mental life is built up out of sensations alone. This may be true; but in any case I think the only ingredients required in addition to sensations are images. What images are, and how they are to be defined, we have now to inquire.
The distinction between images and sensations might seem at first sight by no means difficult. When we shut our eyes and call up pictures of familiar scenes, we usually have no difficulty, so long as we remain awake, in discriminating between what we are imagining and what is really seen. If we imagine some piece of music that we know, we can go through it in our mind from beginning to end without any discoverable tendency to suppose that we are really hearing it. But although such cases are so clear that no confusion seems possible, there are many others that are far more difficult, and the definition of images is by no means an easy problem.
To begin with: we do not always know whether what we are experiencing is a sensation or an image. The things we see in dreams when our eyes are shut must count as images, yet while we are dreaming they seem like sensations. Hallucinations often begin as persistent images, and only gradually acquire that influence over belief that makes the patient regard them as sensations. When we are listening for a faint sound—the striking of a distant clock, or a horse's hoofs on the road—we think we hear it many times before we really do, because expectation brings us the image, and we mistake it for sensation. The distinction between images and sensations is, therefore, by no means always obvious to inspection.*
* On the distinction between images and sensation, cf.
Semon, "Die mnemischen Empfindungen," pp. 19-20.
We may consider three different ways in which it has been sought to distinguish images from sensations, namely:
(1) By the less degree of vividness in images;