Forty Years of It

by Brand Whitlock

“I’m going to do a series of articles for the magazine on municipal government.”

“And what do you know about municipal government?” I asked in the tone a man may adopt with his friend.

“Nothing,” he replied. “That’s why I’m going to write about it.”

We smiled in the pleasure we both had in his fun, but we did not talk long about municipal government as we were to do in the succeeding years; we had more interesting subjects to discuss just then.

I had been on a holiday to New England with my friend John D. Barry, and had just come from Maine where I had spent a week at Kittery Point, in the delight of long summer afternoons in the company of Mr. William Dean Howells, whom, indeed, in my vast admiration, and I might say, my reverence for him, I had gone there to see. He had introduced me to Mark Twain, and I had come away with feelings that were no less in intensity I am sure than those with which Moses came down out of Mount Horeb. And Steffens and I celebrated them and their writings and that quality of right-mindedness they both got into their writings, and we had our joy in their perfect Americanism. The word had a definite meaning for us; it occurred to us at that time because of some tremendous though unavailing blows which Mark Twain had delivered against our government’s policy in the Philippines, the time falling in that era of khaki imperialism which opened in this land with the Spanish war and too much reading of Kipling, who, if I could bring myself to think that literature has any influence in America, might be said to have induced us to imitate England in her colonial policy. There comes back the picture of Mark Twain as he sat on the veranda of the home he had that summer at Sewell’s Bridge, a cottage on a hill all hidden among the pines; he sat there in his picturesque costume of white trousers and blue jacket, with his splendid plume of white hair, and he smoked cigar after cigar—he was an “end to end smoker” as George Ade says—and as he sat and smoked he drawled a delightful monologue about some of his experiences with apparitions and telepathy and that weird sort of thing; he said they were not to be published during his life, and since his death I have been waiting to see them in print. He had just been made a Doctor of Laws by some university in June of that year, a distinguishing fact known to a caller from the fashionable resort of York near by, who, though somewhat hazy as to Mark Twain’s performances in literature, nevertheless scrupulously addressed him as “Doctor,” and every time he was thus recognized in his new and scholarly dignity, he winked at us from under his shaggy brows. Perhaps that was part of his Americanism, too, unless it were a part of that universality which made him the great humorist he was, and philosopher, too; an universality that makes Mr. Howells a humorist as well as a novelist and a philosopher—the elements are scarcely inseparable—though Mr. Howells’s humor is of a more delicate quality than that of his great friend, and, as one might say, colleague, a quality so rare and delicate and delightful that some folk seem to miss it altogether. Perhaps it was the Americanism of these two great men and their democracy that have won them such recognition in Europe, where they have represented the best that is in us.

I speak of their democracy for the purpose of likening it in its very essence to that of Golden Rule Jones and of Johnson, too, and of all the others who have struggled in the human cause. We owe Mr. Howells especially a debt in this land. He jeopardized his standing as an artist, perhaps, by his polemics in the cause of realism in the literary art, but he was the first to look about him and recognize his own land and his own people in his fiction; that is why it is so very much the life of our land as we know it, and to me there came long ago a wonderful and consoling lesson, when in reading after him, and after Tolstoy and Tourgenieff, and Flaubert, and Zola, and Valdez, and Thomas Hardy, I discovered that people are all alike, and like all those about us in every essential.

Lincoln Steffens did not miss the humor in Mr. Howells’s writing, because he could not miss the humor in anything, though there was not so much humor perhaps in another writer whom we had just then discovered and were celebrating that day in the joy of our discovery. It was to me a discovery of the greatest charm, a charm that lasts to this day in everything the man has written, that charm of the sea and of ships, the romance and poetry of it all which I had felt ever since as a boy I found a noble friend in Gus Wright, an old sailor whose name I cannot speak even now without a quickening of the spirit because of the glamour that invested him when I sat and looked at him and realized that he had hunted whales in the South Pacific and had sailed the Seven Seas. I wish I had written him into the first of these papers, where he belongs; he made two miniature vessels for me, one a full rigged ship, the other a bark—dismantled now, both of them, alas, and long since out of commission....

“You go down to the wharves along the East River,” Steffens was saying, “and you’ll see a ship come in, and after she has been made fast to her wharf, an old man will come out of the cabin, light his pipe, and lean over the taffrail; he’ll have a brown, weather-beaten face, and as he leans there smoking slowly and peacefully, his voyage done, his eye roving calmly about here and there, you’ll look at him, and say to yourself, ‘Those eyes have seen everything in this world!’”

It was a rather big thought when you dwelt on it.

“He’s seen everything in the world,” Steffens went on, “but he can’t tell what he’s seen. Now Conrad has those eyes, he has seen everything, and he can tell it.”