It was the Irish House of Commons which, in 1752, provided the funds for the new home of Trinity College, just across the street—a great pile of time-worn buildings, also in the classic style, and rather dull; but it is worth while to go in through the great gateway for a look at the outer and inner quadrangles.
Beyond the college stretches Grafton Street, the principal shopping-street of Dublin, and at its head is St. Stephen's Green, a pretty park, with some beautiful eighteenth century houses looking down upon it. This was the centre of the fashionable residence district in the old days, and the walk along the north side was the "Beaux Walk." Such of the residences as remain are mostly given over to public purposes, and the square itself is redolently British; for there is a statue of George II in the centre, and one of Lord Eglinton not far away, and a triumphal arch commemorating the war in South Africa. But, if you look closely, you may find the inconspicuous bust of James Clarence Mangan, who coughed his life out in the Dublin slums while Tom Moore—who was also born here—was posing before fine London ladies; and Mangan had this reward, that he remained sincere and honest and warmly Irish to the last, a true bard of Erin, and one whose memory she does well to cherish. How feeble Tom Moore's tinklings sound beside the white passion of "Dark Rosaleen!"
Over dews, over sands,
Will I fly for your weal:
Your holy, delicate white hands
Shall girdle me with steel.
At home in your emerald bowers,
From morning's dawn till e'en,
You'll pray for me, my flower of flowers,
My dark Rosaleen!
My own Rosaleen!
You'll think of me through daylight's hours,
My virgin flower, my flower of flowers,
My dark Rosaleen!
A short walk down Kildare Street leads to a handsome, wide-flung building with a court in front, once the mansion of the Duke of Leinster, but now occupied by the Royal Dublin Society. The wing at the right is the Science and Art Museum, that to the left the National Library. The latter is scarcely worth a visit, unless there is some reading you wish to do, but we shall have to spend some hours in the museum.
On this Sunday morning, however, Betty and I walked on through to Leinster Lawn, a pleasant enclosed square, with gravelled walks and gardens gay with flowers, but marred with many statues; and here you will note that a Victorian government spent a huge sum in commemorating the virtues of the Prince Consort. We contemplated it for a while, and then went on to the great building which closes in the park on the north, and which houses the National Gallery of Ireland. We found the collection surprisingly good. It is especially rich in Dutch art, and possesses three Rembrandts, one of an old and another of a young man, and the other showing some shepherds building a fire—just such a subject as Rembrandt loved. And there is a good Teniers, and an inimitable canvas by Jan Steen, "The Village School." There are also a number of pictures by Italian masters, but these did not seem to me so noteworthy.
This general collection of paintings is on the upper floor. The ground floor houses the National Portrait Gallery, composed for the most part of mediocre presentments of mediocre personalities, but with a high light here and there worth searching for. Sir Godfrey Kneller's portrait of Dick Steele is there, and Holbein's Henry Wyatt, and Zuccaro's Raleigh, and there are three or four portraits by Lely and Reynolds, but not, I should say, in their best style.
Let me add here that there is in Dublin another picture gallery well worth a visit. This is the Municipal Gallery, housed in a beautiful old mansion in Harcourt Street—another memorial of spacious eighteenth century days, where that famous judge and duellist, Lord Clonmell, lived. The house itself would be worth seeing, even if there were no pictures in it, for it is a splendid example of Georgian domestic architecture; but there are, besides some beautiful examples of the Barbizon school, a number of modern Irish paintings which promise much for the future of Irish art.
The day was so bright and warm that it seemed a pity to spend the whole of it in town, so, after lunch, we took a tram for the Hill of Howth. Most of the tram lines of the city start from the Nelson Pillar, so we had only to cross the street to the starting point.
There seems to be a considerable difference of opinion as to the correct pronunciation of "Howth." Perhaps that is because it is a Danish word—hoved, a head—the Danes having left the mark of their presence in the names of places all over Ireland, even in the names of three of its four provinces. Only far Connaught escaped the stigma. At any rate, when I asked a policeman which tram to take for Howth, I pronounced the word as it is spelt, to rhyme with "south." He corrected me at once.