fọsfossẹmaguẹsaguessẹm, acsẹm
fọssesfossẹtz -ẹsaguẹssesaguessẹtz -ẹs, acsẹtz -ẹs
fọsfọssen -on -oaguẹsaguẹssen -on -o

1. The syncopated forms in the 1st and 2d pers. pl. are common to the -uī class: decsém, iacsém, pocsém, saupsém.

2. In the 3d pers. pl. -an sometimes takes the place of -en or -on: mezéssan, saubéssan. This ending is doubtless borrowed from the present subjunctive and the old conditional.

3. Vezér has vis beside vezés. From faire we find in the 3d pers. pl. fésson.

4. Metre has mezés, due, no doubt, to the analogy of mes and of prezés.

193. Some dialects have an ending -a, -as, -a, -ám, -átz, an, borrowed from the present subjunctive and the old conditional, but added to the stem of the imperfect subjunctive: chantęssa, vendęssa, floríssa; fọssa.


FOOTNOTES

[1] There should now be added: J. B. Beck, Die Melodien der Troubadours, 1908.

[2] See B. Schädel in Rom., XXXVII, 140.