PREFACE.
Hæe nos, ab imis Pun-icorum annalibus
Prolata, longo tempore edidimus tibi.Fest.
I've raked the ashes of the dead, to show
Puns were in vogue five thousand years ago.
The great and singular advantages of Punning, and the lustre it gives to conversation, are commonly so little known in the world, that scarce one man of learning in fifty, to their shame be it spoken, appears to have the least tincture of it in his discourse. This I can impute to nothing but that it hath not been reduced to a science; and indeed Cicero seemed long ago to wish for it, as we may gather from his second book de Oratore[1], where he has this remarkable passage: "Suavis autem est et vehementer sæpe utilis jocus et facetiæ cum ambiguitate—in quibus tu longè aliis meâ sententiâ, Cæsar, excellis: quo magìs mihi etiam testis esse potes, aut nullam esse artem salis, aut, si qua est, eam nos tu potissimum docebis." "Punning is extremely delightful, and oftentimes very profitable; in which, as far as I can judge, Cæsar, you excel all mankind; for which reason you may inform me, whether there be any art of Punning; or, if there be, I beseech you, above all things, to instruct me in it." So much was this great man affected with the art, and such a noble idea did he conceive of it, that he gave Cæsar the preference to all mankind, only on account of that accomplishment!
[1] Lib. ii. § liv.
Let critics say what they will, I will venture to affirm, that Punning, of all arts and sciences, is the most extraordinary: for all others are circumscribed by certain bounds; but this alone is found to have no limits, because to excel therein requires a more extensive knowledge of all things. A Punner must be a man of the greatest natural abilities, and of the best accomplishments: his wit must be poignant and fruitful, his understanding clear and distinct, his imagination delicate and cheerful; he must have an extraordinary elevation of soul, far above all mean and low conceptions; and these must be sustained with a vivacity fit to express his ideas, with that grace and beauty, that strength and sweetness, which become sentiments so truly noble and sublime.
And now, lest I should be suspected of imposing upon my reader, I must entreat him to consider how high Plato has carried his sentiments of this art (and Plato is allowed by all men to have seen farther into Heaven than any Heathen either before or since). Does not he say positively, in his Cratylus, "Jocos et Dii amant," the gods themselves love Punning? which I am apt to believe from Homer's ἂσβεστος γἑλως, unextinguished laughter; because there is no other motive could cause such continued merriment among the gods.
As to the antiquity of this art, Buxtorf proves it to be very early among the Chaldeans; which any one may see at large, who will read what he says upon the word ציךז Pun, Vocula est Chaldæis familiarissima, &c. "It is a word that is most frequently in use among the Chaldeans," who were first instructed in the methods of punning by their magi, and gained such reputation, that Ptolemæus Philo-punnæus sent for six of those learned priests, to propagate their doctrine of puns in six of his principal cities; which they did with such success, that his majesty ordered, by public edict, to have a full collection of all the puns made within his dominions for three years past; and this collection filled one large apartment of his library, having this following remarkable inscription over the door:
Ἱκτϛειον ψυχης,
"The shop of the soul's physic[2]."
[2] Vide Joseph. Bengor. Chronic. in Edit. Georg. Homedidæ. Scriem Godoliæ Tradit. Hebraic. Corpus Paradoseon Titulo Megill. c. i. § 8. Chronic. Samarit. Abulphetachi. Megillat. Taanit.