BOOK II.
ON THE THEORY OF WAR
CHAPTER I.
Branches of the Art of War
War in its literal meaning is fighting, for fighting alone is the efficient principle in the manifold activity which in a wide sense is called War. But fighting is a trial of strength of the moral and physical forces by means of the latter. That the moral cannot be omitted is evident of itself, for the condition of the mind has always the most decisive influence on the forces employed in War.
The necessity of fighting very soon led men to special inventions to turn the advantage in it in their own favour: in consequence of these the mode of fighting has undergone great alterations; but in whatever way it is conducted its conception remains unaltered, and fighting is that which constitutes War.
The inventions have been from the first weapons and equipments for the individual combatants. These have to be provided and the use of them learnt before the War begins. They are made suitable to the nature of the fighting, consequently are ruled by it; but plainly the activity engaged in these appliances is a different thing from the fight itself; it is only the preparation for the combat, not the conduct of the same. That arming and equipping are not essential to the conception of fighting is plain, because mere wrestling is also fighting.
Fighting has determined everything appertaining to arms and equipment, and these in turn modify the mode of fighting; there is, therefore, a reciprocity of action between the two.
Nevertheless, the fight itself remains still an entirely special activity, more particularly because it moves in an entirely special element, namely, in the element of danger.
If, then, there is anywhere a necessity for drawing a line between two different activities, it is here; and in order to see clearly the importance of this idea, we need only just to call to mind how often eminent personal fitness in one field has turned out nothing but the most useless pedantry in the other.
It is also in no way difficult to separate in idea the one activity from the other, if we look at the combatant forces fully armed and equipped as a given means, the profitable use of which requires nothing more than a knowledge of their general results.
The Art of War is therefore, in its proper sense, the art of making use of the given means in fighting, and we cannot give it a better name than the “Conduct of War.” On the other hand, in a wider sense all activities which have their existence on account of War, therefore the whole creation of troops, that is levying them, arming, equipping, and exercising them, belong to the Art of War.