Much greater is the evil which lies in the pompous retinue of technical terms—scientific expressions and metaphors, which these systems carry in their train, and which like a rabble-like the baggage of an Army broken away from its Chief—hang about in all directions. Any critic who has not adopted a system, either because he has not found one to please him, or because he has not yet been able to make himself master of one, will at least occasionally make use of a piece of one, as one would use a ruler, to show the blunders committed by a General. The most of them are incapable of reasoning without using as a help here and there some shreds of scientific military theory. The smallest of these fragments, consisting in mere scientific words and metaphors, are often nothing more than ornamental flourishes of critical narration. Now it is in the nature of things that all technical and scientific expressions which belong to a system lose their propriety, if they ever had any, as soon as they are distorted, and used as general axioms, or as small crystalline talismans, which have more power of demonstration than simple speech.
Thus it has come to pass that our theoretical and critical books, instead of being straightforward, intelligible dissertations, in which the author always knows at least what he says and the reader what he reads, are brimful of these technical terms, which form dark points of interference where author and reader part company. But frequently they are something worse, being nothing but hollow shells without any kernel. The author himself has no clear perception of what he means, contents himself with vague ideas, which if expressed in plain language would be unsatisfactory even to himself.
A third fault in criticism is the misuse of historical examples, and a display of great reading or learning. What the history of the Art of War is we have already said, and we shall further explain our views on examples and on military history in general in special chapters. One fact merely touched upon in a very cursory manner may be used to support the most opposite views, and three or four such facts of the most heterogeneous description, brought together out of the most distant lands and remote times and heaped up, generally distract and bewilder the judgment and understanding without demonstrating anything; for when exposed to the light they turn out to be only trumpery rubbish, made use of to show off the author’s learning.
But what can be gained for practical life by such obscure, partly false, confused arbitrary conceptions? So little is gained that theory on account of them has always been a true antithesis of practice, and frequently a subject of ridicule to those whose soldierly qualities in the field are above question.
But it is impossible that this could have been the case, if theory in simple language, and by natural treatment of those things which constitute the Art of making War, had merely sought to establish just so much as admits of being established; if, avoiding all false pretensions and irrelevant display of scientific forms and historical parallels, it had kept close to the subject, and gone hand in hand with those who must conduct affairs in the field by their own natural genius.
CHAPTER VI.
On Examples
Examples from history make everything clear, and furnish the best description of proof in the empirical sciences. This applies with more force to the Art of War than to any other. General Scharnhorst, whose handbook is the best ever written on actual War, pronounces historical examples to be of the first importance, and makes an admirable use of them himself. Had he survived the War in which he fell,(*) the fourth part of his revised treatise on artillery would have given a still greater proof of the observing and enlightened spirit in which he sifted matters of experience.
But such use of historical examples is rarely made by theoretical writers; the way in which they more commonly make use of them is rather calculated to leave the mind unsatisfied, as well as to offend the understanding. We therefore think it important to bring specially into view the use and abuse of historical examples.
(*) General Scharnhorst died in 1813, of a wound received in the battle of Bautzen or Grosz Gorchen—EDITOR.
Unquestionably the branches of knowledge which lie at the foundation of the Art of War come under the denomination of empirical sciences; for although they are derived in a great measure from the nature of things, still we can only learn this very nature itself for the most part from experience; and besides that, the practical application is modified by so many circumstances that the effects can never be completely learnt from the mere nature of the means.