Anyone who attentively notices the flower trick will see that the two little high tables hung with drapery cover each a trap. Each of those tables, during that trick, hides a confederate, who changes the paper cone twice. When the cone has been changed as often as is required, the trap is closed and the table can be moved.
When the curtain is removed for the performance of the Sphinx trick, there is a covered, that is, draped table on the stage, which is never seen before or afterwards. In front of the middle of it, and between it and the audience, stands one of those little draped tables covering a trap; this is a third trap in the centre of the stage. The box for the head is then upon it, and the conjuror takes it off and shows it. The man whose head is afterwards shown in that box is, I conceive, in the table; that is to say, is lying on his chest in the thickness of the table, in an extremely constrained attitude. To get him into the table, and to enable him to use the trap in the table through which his head comes into the box, the two hands of a confederate are necessary. That confederate comes up a trap, and stands in the space afforded by the interval below the stage and the height of the little draped table! his back is towards the audience. The moment he has assisted the hidden man sufficiently, he closes the trap, and the conjuror then immediately removes the little draped table, and also the drapery of the larger table; when he places the box on the last-named table with the slide on for the head to come into it, he stands with his back to the audience and his face to the box, and masks the box considerably to facilitate the insertion of the head. As soon as he knows the head to be in its place, he undraws the slide. When the verses have been spoken and the trick is done, he loses no time in replacing the slide. The curtain is then immediately dropped, because the man cannot otherwise be got out of the table, and has no doubt had quite enough of it. With kindest regards to all at Penton,
Ever your most affectionate.
1866.
NARRATIVE.
The furnished house hired by Charles Dickens in the spring of this year was in Southwick Place, Hyde Park.
Having entered into negotiations with the Messrs. Chappell for a series of readings to be given in London, in the English provinces, in Scotland and Ireland, Charles Dickens had no leisure for more than his usual editorial work for "All the Year Round." He contributed four parts to the Christmas number, which was entitled, "Mugby Junction."
For the future all his English readings were given in connection with the Messrs. Chappell, and never in all his career had he more satisfactory or more pleasant business relations than those connected with these gentlemen. Moreover, out of this connection sprang a sincere friendship on both sides.
Mr. Dolby is so constantly mentioned in future letters, that they themselves will tell of the cordial companionship which existed between Charles Dickens and this able and most obliging "manager."