The Move to the New Capital
It probably took at least two years to build Akhetaton. It was during the sixth year of Akhenaton’s reign that he ordered all Egyptians and subject peoples—Nubians and Asiatics—to serve Aton alone. Statues of the old gods were ordered destroyed; their reliefs were to be erased, and their names blotted out. Two years later—Akhenaton’s eighth—the transfer of the capital from Thebes to Akhetaton was complete.
There are evidences of great haste in the construction of the buildings. Often naturalistic pictures of birds and vegetation painted on plaster walls and floors cover shoddy workmanship. Houses were built of mud brick, but palaces and temples were built of stone. An inscription attributed to the architect Bek at Aswan states that stone was quarried there “for the great and mighty monuments of the king in the house of Aton in Akhetaton.”
The Plan of the City
Paralleling the Nile, the city had three north-south streets which crossed the more numerous east-west streets at right angles. The principal north-south street, the King’s Way, served the city’s more important buildings. At its southern end was the pleasure palace, Meru Aton, with its artificial pools, flower beds, and groves of trees. Meru Aton is thought to have served as a summer palace. It had a reception hall, a small chamber, guard houses, and various other buildings. The inner rooms were gaily decorated with colored columns and pavements painted with flying birds, playing animals, and a variety of plant life.
Farther north the King’s Way passed between the palace and the royal house, where it was spanned by a bridge. In the center of the bridge was the “window of appearing” where the royal family appeared on special occasions to greet the populace assembled on the street below. The palace was fourteen hundred feet long and four to five hundred feet wide, with an impressive hall of pillars. The pavements of painted stucco, discovered by Flinders Petrie during his expedition at Amarna in 1891, were maliciously destroyed by a disgruntled guard in 1912, and the portions that were salvaged are now in the Cairo Museum. The royal house was a vast walled compound containing the king’s apartment, a nursery for the princesses, and vast gardens and storehouses. The rooms were ornamented with colorful paintings and inlays of colored stone.
Beyond the palace, the King’s Way passed the spiritual center of the royal city, the Great Temple to Aton, comprising a series of open courts and halls, connected by pylons in which altars were set up to receive offerings. The chief altar was located in the center of the largest court. Here Akhenaton, usually accompanied by Nofretete, offered prayers and consecrated offerings to Atom. Throughout the city there were numerous smaller shrines built to honor the kings of Egypt’s past, or to serve members of the royal family. Nofretete presided at a shrine with the colorful name, “The House of Putting the Aton to Rest.” The queen mother Tiy had a temple, and there were shrines for Baktaton, the king’s younger sister, and Meritaton, his oldest daughter. Shrines were built in memory of Amenhotep II and Thutmose IV.
Beyond the Great Temple, the King’s Way becomes the main street of modern El Till. It disappears for a time in the fields, but emerges at the North Palace which had walls decorated with lively paintings of bird life in a papyrus swamp. A royal aviary and a zoo were part of the palace complex. After another break, the lines of the ancient King’s Way appear again in the northern city with its numerous mansions.
A second important north-south thoroughfare is High Priest Street from which the estates of many of the nobles in Akhenaton’s court could be entered. The standard of living was one of luxury, for the houses of the nobles contained large reception halls, living rooms, and bedrooms. Each had a well-kept garden, at one end of which an avenue of trees led to a pool. Besides the spacious living quarters there were separate buildings to serve as stables for the flocks and herds belonging to the family, storage buildings, and servant’s quarters. The largest such estate, belonging to the vizier Nakht, measured ninety-five by eighty-five feet.
Interspersed among these palatial homes were humbler cottages, belonging to the working class, each of which had a front hall, a living room, bedroom, and kitchen. Every house—both of nobles and of commoners—had a bathroom with running water and a lavatory. There was evidently no conscious city planning, for it seems that the nobles laid claim to extensive patches of land, only to surrender parts of their property to commoners at a later time. Perhaps unintentionally, Akhetaton has marks of democracy in this mixture of ruling and working classes.