When the outline is all marked out in a groove, take one of the stamps, or grounding punches, shown on Fig. [23], and with the hammer indent the whole background, Fig. [24]. If there be corners too small to admit the stamp or stamps for the same pattern, then finish them up with a pointed nail or any point, such as a bodkin. The result will be like the simple design in Fig. [23]. When this is done, coat the whole with oil, rub it in, and wipe it off with care. Then with a piece of very soft wood polish only the pattern, and finally rub it off by hand or with a stiff brush. This kind of ornamentation is adapted to the covers of books or albums, as it can be applied to the thinnest sheets of wood.

Fig. 23. Stamps.

Another way to improve this work is to take the tracer, and smooth down and depress the ground, especially near the pattern edge. This gives an improved relief. Then the ground may be stamped or “matted,” Fig. [24]. It may be borne in mind that the pupil who masters this process of indenting with wheel, tracers, and stamps, will be quite able to work patterns in damp sheet-leather, since the latter is effected in the same way with the same tools. Nor does the first step in repoussé or sheet-brass work differ greatly from it. All the minor arts have a great deal in common; many of the tools used in one being applicable to others. The pupil who begins with some knowledge of drawing will soon find it easy to work in any material.

The pupil having done this, has an idea of how a pattern is placed or spaced and contrasted with the ground. He may now take another panel, and having drawn the pattern, cut out the outline in a light groove with a very small gouge or a V tool, or a firmer. Let him be very careful to hold the handle in his right hand, and guide the blade with the fingers of the left, and never to let the latter get before the point. Do not cut deeply or too rapidly. Before beginning on the pattern, practise cutting grooves on waste wood. Unless this is done the panel will almost certainly be spoiled. It is usual among carvers to begin with cutting the groove with a V tool, but it is well to prepare for this by using the tracer or wheel.

Fig. 24.

Fig. [27] represents the effect of a ground which is indented, and to a degree ornamented, by using round stamps of different patterns and sizes. Very good effects may be produced in this way, which resembles diaper-work.