And he that had been wicked and of evil mind, hasty and cruel, became meek and patient, good and gentle, and he made others like himself. And he had his reward, for there was a blessing upon him as upon all those who had wished wisely even unto the end of their days. [Footnote: This beautiful story, in its original simplicity, reminds one of the tenderest biblical narratives. There is in it nothing reflected or second-hand; it is a very ancient or truly aboriginal tale. I can but sincerely regret my utter inability to do justice to it. The pen of a great master would be required to describe the fairyland freshness and light of Glooskap's home as it is felt in the original by men far more familiar with the forest in all its loveliness at all seasons than any white writer can be. The naivete or simplicity of the pilgrims is as striking as that of the narrator or poet, to whom fine clothes—a Homeric trait—are as wonderful as all the deeds of magic which he describes.
In this and other tales a man is represented as being punished by being turned into a tree, so that he can never leave a certain spot. This is a kind of imprisonment. In the Edda the Ash Yggdrasil is the prison of Iduna.
"She ill brooked her descent under the hoar tree's trunk confined."
(Hrofnagaldr Odins, 7.)
It is to keep a man or a woman in a certain place, as prisoner, that the characters described in the Indian and Norse myths are put into trees.
This was related to Mr. Rand by Benjamin Brooks, a Micmac.]
Of Glooskap and the Sinful Serpent.
(Passamaquoddy.)
Of old time it befell that Glooskap had an enemy, an evil man, a sinful beast, a great sorcerer. And this man, after trying many things, made himself a great serpent, hoping so to slay the Master.
Of old time Glooskap met a boy whose name was 'Nmmokswess, the Sable. [Footnote: Evidently no other than Marten, or the Abistanooch of the Micmac mythology.] And the boy had a flute: whoever played on it could entice unto him all the animals. And once, when the Master was afar, the boy broke the flute, and in his great sorrow he would not return home, but wandered away into the wilderness. Now Glooskap knew in his heart that the flute was broken: he who is a magician knows at once of a great evil. And coming home, he asked of the grandmother where the boy was, and she could only weep. Then the Master said, "Though I roam forever, yet will I find the boy." So he went forth, and he tracked him in the snow for three days; and on the third night he heard some one singing in a hollow; and it was a magic song, that which the m'teoulin sings when he is in dire need and death is near. And making a circle round about the place, Glooskap looked down and saw a wigwam, and heard the voice more distinctly as he drew nearer; and it was the voice of the boy, and he was singing a song against all of the snake kind. And he was wandering about the wigwam, seeking a straight stick.