At another window sat Sydney Onslow drawing; her brother standing behind her chair, and from time to time adding his counsels, but in a tone studiously low and whispered. “Get that shadow in something deeper, Syd, and you 'll have more effect in the distance.”
“What is that I hear about effect and distance?” sighed out my Lady. “You surely are not drawing?”
“Only sketching; making a hurried note of that wheel, and the quaint old-fashioned house beside it,” said Sydney, diffidently.
“What a refinement of cruelty! The detestable noise of that mill kept me awake all night, and you mean to perpetuate the remembrance by a picture. Pray, be a good child and throw it out of the window.”
Sydney looked up in her brother's face, where already a crimson flush of anger was gathering, but before she could reply he spoke for her. “The drawing is for me, Lady Onslow. You 'll. excuse me if I do not consent to the fate you propose for it.”
“Let me look at it,” said she, languidly; and the young girl arose and presented the drawing to her. “How droll!” said she, laughing; “I suppose it is peculiar to Germany that water can run up hill.”
“The shadow will correct that,” said Sydney, smiling; “and when the foreground is darker.” A violent slam of the door cut short the explanation. It was George Onslow, who, too indignant at the practised impertinence toward his sister, dashed out of the room in a passion.
“How underbred your brother will persist in being, my love,” said she, calmly; “that vile trick of slamming a door, they learn, I 'm told, in the Guards' Club. I 'm sure I always thought it was confined to the melodrames one sees at the Porte St. Martin.”
At this moment a servant appeared at the door. “Colonel Haggerstone's compliments, my Lady, and begs to know how Sir Stafford is to-day.”
“Something better,” replied she, curtly; and as the man disappeared, she added, “Whose compliments did he say?”