Two Years Ago, Volume I

by Charles Kingsley

On a low rock at its foot, her back resting against the Cyclopean wall, sits a young woman of eight-and-twenty, soberly, almost primly dressed, with three or four tiny children clustering round her. In front of them, on a narrow spit of sand between the rocks, a dozen little girls are laughing, romping, and pattering about, turning the stones for "shannies" and "bullies," and other luckless fish left by the tide; while the party beneath the pier wall look steadfastly down into a little rock-pool at their feet,—full of the pink and green and purple cut-work of delicate weeds and coralline, and starred with great sea-dahlias, crimson and brown and grey, and with the waving snake-locks of the Cercus, pale blue, and rose-tipped like the fingers of the dawn. One delicate Medusa is sliding across the pool, by slow pantings of its crystal bell; and on it the eyes of the whole group are fixed,—for it seems to be the subject of some story which the village schoolmistress is finishing in a sweet, half-abstracted voice,—

"And so the cruel soldier was changed into a great rough red starfish, who goes about killing the poor mussels, while nobody loves him, or cares to take his part; and the poor little girl was changed into a beautiful bright jelly-fish, like that one, who swims about all day in the pleasant sunshine, with a red cross stamped on its heart."

"Oh, mistress, what a pretty story!" cry the little ones, with tearful eyes. "And what shall we be changed to when we die?"

"If we will only be good we shall go up to Jesus, and be beautiful angels, and sing hymns. Would that it might be soon, soon; for you and me, and all!" And she draws the children, to her, and looks upward, as if longing to bear them with her aloft.

Let us leave the conversation where it is, and look into the face of the speaker, who, young as she is, has already meditated so long upon the mystery of death that it has grown lovely in her eyes.

Her figure is tall, graceful, and slight, the severity of its outlines suiting well with the severity of her dress, with the brown stuff gown and plain grey whittle. Her neck is long, almost too long: but all defects are forgotten in the first look at her face. We can see it fully, for her bonnet lies beside her on the rock.

The masque, though thin, is perfect. The brow, like that of Greek statue, looks lower than it really is, for the hair springs from below the bend of the forehead. The brain is very long, and sweeps backward and upward in grand curves, till it attains above the ears a great expanse and height. She should be a character more able to feel than to argue; full of all a woman's veneration, devotion, love of children,—perhaps, too, of a woman's anxiety.

The nose is slightly aquiline; the sharp-cut nostrils indicate a reserve of compressed strength and passion; the mouth is delicate; the lips, which are full and somewhat heavy, not from coarseness, but rather from languor, show somewhat of both the upper and the under teeth. Her eyes are bent on the pool at her feet; so that we can see nothing of them but the large sleepy lids, fringed with lashes so long and dark that the eye looks as if it had been painted, in the Eastern fashion, with antimony; the dark lashes, dark eyebrows, dark hair, crisped (as West-country hair so often is) to its very roots, increase the almost ghostlike paleness of the face, not sallow, not snow-white, but of a clear, bloodless, waxen hue.

And now she lifts her eyes,—dark eyes, of preternatural largeness; brilliant, too, but not with the sparkle of the diamond; brilliant as deep clear wells are, in which the mellow moonlight sleeps fathom-deep between black walls of rock; and round them, and round the wide-opened lips, and arching eyebrow, and slightly wrinkled forehead, hangs an air of melancholy thought, vague doubt, almost of startled fear; then that expression passes, and the whole face collapses into a languor of patient sadness, which seems to say,—"I cannot solve the mystery. Let Him solve it as seems good to Him."

The pier has, as usual, two stages; the upper and narrower for a public promenade, the lower and broader one for business. Two rough collier-lads, strangers to the place, are lounging on the wall above, and begin, out of mere mischief, dropping pebbles on the group below.