Here we are in the quaint old town of Haarlem, famous in past years for its tulips, and now noted for its well-kept gardens and avenues, as well as for the curious old houses of brick and stone which are the delight of all the visitors to Holland. These lofty steeples and rows of ancient and picturesque houses have looked down upon many generations, and witnessed scenes of suffering and endurance that have been registered on the pages of history; for like Leyden, Haarlem sustained a long siege during the war for independence, and stories of the heroism of both men and women have come down through the long centuries to tell us of experiences of which these ancient structures, stately and silent, give no sign. So well cared for are the old buildings, that one can readily imagine that they will appear as they do to-day for many centuries to come.
How we enjoy this historic old place! The very air we breathe seems laden with odors of the past. The flower-beds are wonderfully attractive, with their gay colors and delicious fragrance. Whole fields of tulips, hyacinths, lilies, and other brilliant blooming plants in every shade of color are to be seen here, and this town supplies many of the largest gardens of Europe with roots. The Spaarne River winds through the town, which possesses the characteristic cleanliness of the other cities of Holland.
While driving along the bank of the canal here, our attention is attracted by the sound of loud, shrill cries which seem to come from the water. “What!” I say, “do the lurking spirits of the slain thus make themselves known to the living? Are there still lingering ‘pale gliding ghosts, with fingers dropping gore’?” Whatever it may be, dead or living, ghost or mortal, I bid the driver halt, and alighting, hasten to the edge of the canal. Looking into the dark muddy water, I see a lad of about twelve years, just able to keep his head above the stream, and screaming lustily for help. A young man reaches the spot at the same moment, and plunges instantly into the canal to the rescue of the boy who is too much frightened and exhausted to give any account of himself.
The “Groote” market is in the middle of the town, and here is to be seen one of the finest old buildings in this part of the country. This is the ancient meat market, built in 1603, of brick and stone, and quaint and picturesque enough to charm the soul of an artist with an irresistible desire to carry it home upon his canvas.
In the market-place also stands the Groote Kerk, an imposing and lofty structure, dating back to the end of the fifteenth century, with its tower of two hundred and fifty-five feet adding grace and beauty to the edifice. The interior will more than repay one for the time spent in examining it. The old walls are whitewashed to hide the ravages of time and cover the scars, many of which, history tells us, are the results of the Spanish siege. Here are odd and elaborate carvings, crude, primitive benches, and the crossbeams forming the ceiling alone would convince one of the antiquity of this relic of the middle ages. The organ, constructed in 1735, was for many years looked upon as the most powerful in the world, and still ranks as one of the largest instruments in existence. It contains four keyboards, sixty-four stops, and five thousand pipes, the greatest of which is fifteen inches in diameter, and thirty two feet in length. We endeavor to persuade the rector to allow us to play upon this wonderful instrument, but he is beyond flattery, coaxing or bribery; faithfully adhering to the rigid rules, which decree that recitals shall be held only on certain regular days. How we long to hear the voice of this noble masterpiece which has uplifted the soul of man, and bidden him look to God in his times of tribulation, or fill this lofty dome with joyous notes of praise and thanksgiving in days of peace and prosperity. I think of the stories these old walls could tell of the cruelties of the Spanish intruders; for here are marks too deep for paint to conceal, or time to efface. But one could write interminably of these old towns with their quaint and glowing pictures. At every turn a new and attractive scene presents itself, and we reluctantly tear ourselves away, only half satisfied, and proceed to Zandvoort, a somewhat fashionable resort on the coast of the Noord Zee. At the railway stations and on the streets one can buy the Cologne water in small glass bottles which is so popular throughout Holland, and which is sold much as peanuts and pretzels are sold in our country. The quality is excellent, and the price is so moderate that the use of this perfume is really carried to excess by tourists, who find that it not only refreshes one after the fatigue of a journey, but cleanses the face from dust and cinders.
We alight at a small unpretentious station, the terminus of this railroad, and walk a short distance to the beach. The pure salt air seems like a delightful tonic. This is a beautiful coast, sloping gradually to the water which is very deep. With the white sand for a carpet, we wander on for miles, feasting our eyes upon the lovely scene which at every turn presents a new attraction. Here are old Dutch sail boats drawn up on the beach, and the picture is enhanced by the groups of sailors waiting for the tide. Their blue homespun jackets, rugged faces and not ungraceful attitudes are very suggestive to the artist.
| “Wicker chairs offer rest to the weary pedestrian.” (See page 140.) |