The Ceremonies of the Holy-Week at Rome

by Charles Michael Baggs

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These troccole were formerly called by the hard names of crepitacula ligna congregantia, mallei excitatorii. The Greeks used them anciently, as Martene proves from a libellus de miraculis Anastasii presented to the second council of Nice, from S. John Chrysostom's life by Metaphrastes etc. etc. In modern times also they continue to use them. Benedict XIV observes that the practice of the Latin church on these days is intended to preserve the remembrance of the ancient custom. It is also evidently intended, like the reversed arms of the soldiers, as a sign of mourning for the death of Christ. This silence of the bells is prescribed in the ancient rituals: mystical interpreters assign as a reason, that they signify Christ's preachers and apostles, who were silent during the sufferings of their Master.

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S. Greg. Turon. De mirac. S. Martini "oblatis super altare sacris muneribus, mysterioque Corporis et Sanguinis Christi palla ex more cooperto.", Vid. Bona. Lib. II, c. 13. not. 12.

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This mass is found in the Antiphonary and Sacramentary of Pope Gregory the great; in all churches but the Roman, as Marlene observes, vespers were joined with the mass on this day, as they are on holy Saturday throughout the Latin church. On holy-thursday the Pope used generally to preach after the gospel, and in the mean time the Cardinals stripped the altar: after the sermon the Pope blessed the people as usual, and then began the Credo, according to Benedict, Canon of S. Peter's. His Holiness drank on this day directly from the chalice, and did not use the golden reed or fistola, as on other occasions; this we learn from the Apamean Pontifical.

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This chapel was erected by Paul III according to the design of Antonio Sangallo. Its two large frescoes are the last efforts of the genius of Michelangelo, then aged 75 years: they represent the crucifixion of S. Peter and the conversion of S. Paul. The fall of Simon Magus, and the baptism conferred by S. Peter, painted on the righthand-wall are works of Federico Zuccheri; on the opposite side S. Paul at Malta, and restoring the young man, who had fallen from a window, are by Lorenzo Sabbatino da Bologna, the ceiling was painted by Federico Zuccheri. The B. Sacrament is publicly and solemnly exposed in this chapel for the adoration of the faithful on the first Sunday of Advent as well as on holy-thursday See Chaltard; Descriz. del Vaticano Taja, Palazzo Vaticano.

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S. John Chrysostom established processions at Constantinople in opposition to those of the Arians; and the empress Eudoxia supplied the people with silver crosses and wax lights, to be carried on such occasions. Socrat. Hist. Eccl. lib. VI, c. 8, Sozomen lib. VIII, c. 8. Processions were incompatible with the persecutions of the first three centuries. During them, and even long after Constantine, in consequence of the discipline of secrecy, there was neither public exposition or procession of the B. Sacrament. The faithful however adored it privately, as for instance, S. Gregory Nazianzen relates of his sister Gorgonia, that when seized by a fever "she fell down with faith before the altar, and invoked with a loud cry Him who is honoured thereupon". (Discourse on her funeral). S. Cyril of Jerusalem also exhorts the believer, that when he receives the chalice of the blood of Christ he should bow down profoundly and adore. (Catech. 5), The office and mass of Corpus Christi were composed by S. Thomas Aquinas. As holy-thursday is in great part devoted to the sufferings of Christ, the festival of Corpus Christi with its procession was instituted about the middle of the thirteenth century by Urban IV at the petition of B. Juliana of Mount Cornelione, and in consequence of the miracle of Bolsena, well known as the subject of one of Raffaello's frescoes in the Vatican. See Bened. XIV, De Festis, and the authors cited by him. The miraculous corporal stained with blood is still preserved at Orvieto, the celebrated cathedral of which owes its foundation to the miracle. "No one eats that flesh, says S. Augustine, unless he has first adored" in ps. 98 "The flesh of Christ," says S. Ambrose "which we adore even now in the mysteries, and which the apostles adored in the Lord Jesus" (de Spir. S. lib. 34, c. 12) All the fathers and liturgies mention this adoration, which was therefore derived from apostolic tradition. Sala ad Bonæ lib. 2, c. 13.

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In the Greek church communion is on this day reserved for the sick of the ensuing year under the form of bread alone, according to Leo Allatius. (De utriusque Ecclesiæ consensione). Pope Innocent I in the beginning of the 5th century directs, that the eucharist be preserved on this day for the priest and the sick. This reservation is mentioned also in the Gregorian sacramentary, without any mention of the sacred blood, since it might be spilt. It has taken place in the Pauline chapel ever since its erection by Paul III. A particle of the B. Sacrament was formerly preserved after mass on festivals and carried back in procession to the sacristy: it was carried to the altar in procession on the next festival, and a portion or the whole of it was put into the chalice before the host was broken. See Cancellieri, De Secretariis T. I, p. 217, seq.

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These prelates used to refer cases and petitions to the Popes, as they now do the former to their tribunal, which according to Gonzalez derives its name of Segnatura from the signature of the sovereign affixed to its decree.

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They are formed of peacocks' feathers, the eyes of which according to Macri and others signify the vigilance and circumspection of the Pontiffs. They are mentioned in the apostolic constitutions, in which it is prescribed, that two deacons should hold, them in order to drive away flies, which might otherwise fall into the chalice. Accordingly, at the ordination of the deacons in the Greek church, among other instruments a Flabellum is given to them for their ministry at the altar: this S. Anastasius is said to have used while a deacon. Flabella are mentioned in the liturgies of SS. Basil, Chrisostom, and other Greek and Syriac liturgies, Flabella are in the Latin church a mark of distinction, and are carried for the Grand Prior of the knights of Malta the bishop of Troja in Aquila, and the archbishop of Messina, as well as for His Holiness.

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Since the time of Clement XIV, the custom of reading from the loggia on this day the bull in Coena Domini has been abolished. (On this bull see de Maistre du Pape lib. 2, c. 14). According to the doctrine of S. Paul, the B. Sacrament is the bond as it is the symbol of union or communion between the faithful; "We being many are one body, all who partake of one bread" 1 Cor. X, 17, and hence this day of its institution was selected for the public excommunication of those, who reject the doctrines of the church, or maliciously oppose her ordinances. After the bull had been read "many candles are lighted, of which the Lord Pope himself holds some, and each cardinal and prelate one lighted, and he extinguishes and throws them on the ground, saying, we excommunicate all the aforesaid; and then the bells are rung together without observing any order". Ap. Gatticuin, Acta Cerem. 82. These ceremonies are interpreted to mean the extinction of the grace of the holy Ghost; and the dispersion of unbelievers, as on the contrary the regular and orderly ringing of bells calls the faithful together.

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It is supported by the subdeacon habited in the tunic or tonacella.