[114] Ellis’s Specimens of Metrical Romances, i. 328. 366.
[115] Monstrelet, Johnes’s edition, vol. v. p. 121. 126., et prestement un nommé Olivier Layet à l’ayde de Pierre Frotier lui bouta une espée par dessoules son haulbergeon tout dedans le ventre, &c.—En apres le dessusdit duc mis à mort, comme dit est fut tantost par les gens du Daulphin desuestu de sa robbe, de son haulbergeon, &c. Monstrelet, vol. i. c. 212, 213.
[116] Books of military costume may illustrate the truth, how important every man’s occupation is in his own eyes. The old French writer, Fauchet, has devoted some pages to a description of the regular process of dressing, and his example has been followed by some of our English antiquarians.
[117] In Dr. Meyrick’s three ponderous quartos on Armour there is one interesting point: he shews that the celebrated title of the Black Prince, which the Prince of Wales gained for his achievements at the battle of Cressy, did not arise, as is generally supposed, from his wearing black armour on that day, nor does it appear that he ever wore black armour at all. Plain steel armour was his usual wear, and the surcoat was emblazoned with the arms of England labelled. When he attended tournaments in France or England he appeared in a surcoat with a shield, and his horse in a caparison all black with the white feathers on them; so that the colour of the covering of the armour, and not of the armour itself, gave him his title. Dr. Meyrick thinks the common story an erroneous one, that the ostrich feathers in the crest of our princes of Wales arose from young Edward’s taking that ornament from the helmet of the King of Bohemia, who was slain by him at the battle of Cressy. He contends that the feathers formed a device on the banner of the monarch, and were not worn on the helmet, because plumes of feathers were not used as crests till the fifteenth century. That Dr. Meyrick has not been able to find any instance of their being thus worn goes but very little way to prove the negative. On the other hand, we know that the swan’s neck, the feathers of favourite birds, such as the peacock and pheasant, were devices on shields, and also at the same time continually surmounted the helmet, and the ostrich feathers, which ever since the crusades the western world had been familiar with, might in all probability have been used in this twofold manner. How the King of Bohemia wore his we do not know with historic certainty, but it is very difficult to believe that he, or our chivalric ancestors, with their love of splendid ornament, would have been contented with placing the ostrich feathers as a mere device on a shield, and not have also fixed it where they set every thing peculiarly graceful, on the summit of the helm.
[118] A very singular instance of the inconvenience of heavy armour occurred in the year 1427, during a war between the Milanese and the Venetians. Carmagnola, the Venetian General, had skilfully posted his army behind a morass, the surface of which, from the dryness of the season, was capable of bearing the weight of infantry. He irritated the enemy (the Milanese) to attack him, by capturing the village of Macalo before their eyes, but their heavy cavalry had no sooner charged along the causeway intersecting the marshy ground, which he purposely left unguarded, than his infantry assailed them with missiles on both flanks. In attempting to repulse them the Milanese cuirassiers sank into the morass: their column was crowded on the narrow passage, and thrown into confusion, and the infantry of Carmagnola then venturing among them on the causeway, and stabbing their horses, made prisoners of the dismounted cuirassiers to the number of eight thousand, as they lay helpless under the enormous weight of their own impervious armour. Perceval’s History of Italy, vol. ii. p. 77.
[119] Quarterly Review, No. lx. p. 351.
[120] In marking the progress of chivalry through Italy I shall again have occasion to notice the excellence of the Milanese armour.
[121] Note 8. on Marmion, canto 5.
[122] Grose, ii. 246.
[123] Caxton, Fayt of Armes and of Chyvalrye, c. 62, &c. If the reader be curious for information on the subject of the allegories which were formed from the armour and dress of the Knights of the Garter and the Bath, he will find it in Anstis’s Register of the Garter, p. 119, 120, and his History of the Knighthood of the Bath, p. 77-80.