All our ideas, all science, and even the whole of our practical life, are based upon the way in which we picture to ourselves the successive aspects of things. Our mind, with the aid of our senses, chiefly ranges these under the headings of time and space, which thus become the two frames in which we dispose all that is apparent to us of the material world. When we write a letter, we put at the head of it the name of the place and the date. When we open a newspaper, we find the same indications at the beginning of each piece of telegraphic news. It is the same in everything and for everything. Time and space, the situation and the period of things, are thus seen to be the twin pillars of all knowledge, the two columns which sustain the edifice of men’s understanding.
So felt Leconte de Lisle when, addressing himself to “divine death,” he wrote, in his profound, philosophic way:
Free us from time, number, and space:
Grant us the rest that life hath spoiled.
He inserts the word “number” only in order to define time and space quantitatively. What he has finely expressed in these famous and superb lines is the fact that all that there is for us in this vast universe, all that we know and see, all the ineffable and agitated flow of phenomena, presents to us no definite aspect, no precise form, until it has passed through those two filters which are interposed by the mind, time and space.
The work of Einstein derives its importance from the fact that he has shown, as we shall see, that we have entirely to revise our ideas of time and space. If that is so, the whole of science, including psychology, will have to be reconstructed. That is the first part of Einstein’s work, but it goes further. If that were the whole of his work it would be merely negative.
Once he had removed from the structure of human knowledge what had been regarded as an indispensable wall of it, though it was really only a frail scaffolding that hid the harmony of its proportions, he began to reconstruct. He made in the structure large windows which allow us now to see the treasures it contains. In a word, Einstein showed, on the one hand, with astonishing acuteness and depth, that the foundation of our knowledge seems to be different from what we had thought, and that it needs repairing with a new kind of cement. On the other hand, he has reconstructed the edifice on this new basis, and he has given it a bold and remarkably beautiful and harmonious form.
I have now to show in detail, concretely, and as accurately as possible, the meaning of these generalities. But I must first insist on a point which is of considerable importance: if Einstein had confined himself to the first part of his work, as I have described it, the part which shatters the classical ideas of time and space, he would never have attained the fame which now makes his name great in the world of thought.
The point is important because most of those—apart from experts—who have written on Einstein have chiefly, often exclusively, emphasised this more or less “destructive” side of his work. But, as we shall see, from this point of view Einstein was not the first, and he is not alone. All that he has done is to sharpen, and press a little deeper between the badly joined stones of classical science, a chisel which others, especially the great Henri Poincaré, had used long before him. My next point is to explain, if I can, the real, the immortal, title of Einstein to the gratitude of men: to show how he has by his own powers rebuilt the structure in a new and magnificent form after his critical work. In this he shares his glory with none.